The article by Mathilde Visseyrias, which remains unchanged online, cites the Euro Disney group CEO as announcing that €150 million in credit agreed by lenders would be used “pour construire deux nouvelles attractions”. One likely explanation for the error could be that Mr Gas actually said a more vague corporate line of “de nouvelles attractions”, simply “new attractions”.
As Mouetto also points out, this isn’t the only error from this Figaro journalist regarding Disneyland Paris. A separate article also published on Tuesday states Philippe Gas as having been CEO since 1998, rather than 2008. Ironically, Visseyrias headlined the original interview as “Disneyland Paris ‘has learned from its mistakes'”.
So, yes… Happy birthday, Walt Disney Studios Park! While this confirmation couldn’t be timed worse, let’s try not to be too disappointed about an extra attraction which was never there to begin with. Ratatouille is still very much “on” for 2014, bringing with it the equally welcome trio of a full-size restaurant, toilets and possibly a new shop. And with the €150 million cited — which thanks to earlier announcements, we can confirm isn’t a mistake — that means one huge pot of cash to make Rémy’s world-exclusive ride something even Brad Bird calls “really cool”.
And those suggestions we shared for where the park could find a second new attraction: don’t forget those. They might just require a little more patience. It’s frustrating, because this extra-attraction-that-never-was could have been a great opportunity to tick one off the list early, improving at the same time as expanding the Studios. Investments such as Toy Story Playland have bulked up the attraction (and visitor) count but failed to add up to a more consistent, cohesive park. It largely remains a collection of top quality Disney attractions without the strong Disney glue between them. Merely sticking extra pieces on, however big-budget, won’t solve the overall production problems.
Happy birthday, Walt Disney Studios Park! The second park at Disneyland Paris has celebrated its 10th anniversary today in a characteristically somewhat muted day of special events. That wasn’t going to stop the Disneyland Paris Ambassadors giving it their all, though. Following their stint as Frontiersmen for the rededication of the Molly Brown and gentlemen of the royal court for the inauguration of the Princess Pavilion, Osvaldo del Mistero and Régis Alart raided the costuming workshop once again with an eye on Hollywood glitz.
The result looks superb for such an intimate event: dancers, singers, boom mics and rolling cameras — not to mention Osvaldo, Régis and Mickey Mouse all looking like they’ve just stepped out of the Oscar-winning best picture The Artist. A special clapperboard has been decorated with “Walt Disney Studios 10 ans” — the “10” made out out of a celluloid film reel. It’s a welcome throwback to the kind of Hollywood-that-never-was glamour which the still sorely-missed CinéFolies streetsmosphere shows in this same Disney Studio 1 used to provide.
Nevertheless with its very first dark ride finally on the way in 2014, in the form of the world-exclusive and by all accounts state-of-the-art Ratatouille Kitchen Calamity! (rumoured working title), the whispers of further change continue to echo around these fictional soundstages. By the end of this decade, as it’s twentieth birthday nears, the second park might just be nearing a more complete park…
In the meantime, the park’s Cast Members gathered for a souvenir photo.
Asked as a final question “What will you do to avoid the park reaching saturation?”, he comments:
Knowing that a customer is satisfied when they can see at least six attractions in a day, we estimate our maximum capacity to be 17 million visitors annually. So we still have room for improvement, but we must grow. In January, our banks have given us 150 million euros in new funding to build two new attractions, which should open in 2014 in our second park, Walt Disney Studios. In 2010, we also obtained the agreement of the State to build a third park. We are looking at it very seriously, even if the decision won’t be made until 2020. We will also build new hotels, restaurants and shops.
Now, presuming Mr Gas doesn’t count the adjoining restaurant or those desperately needed new toilets which should be installed next to Ratatouille, this gives us an odd surplus in the new attraction count for 2014. So what are the possibilities? Again, this could depend on how you define a new attraction, but let’s throw Studio Tram Tour: Behind the Magic right out there straight away.
We had assumed that €150 million would only just cover Ratatouille itself, so a second attraction would likely be a smaller, less expensive project. We’re not expecting a Soarin’ here just yet. So presuming CinéMagique is safe and Aerosmith still have a few years left in them yet, the only likely replacements for existing attractions are Armageddon: Les Effets Speciaux and Animagique.
Armageddon suffers with its poor throughput and even poorer pre-show; having been the focus of a previous replacement proposal, to build a Chronicles of Narnia-based attraction in its place, could its time finally be up? Recent rumours have suggested that the licence to the 1998 Jerry Bruckheimer film itself could soon run out, further fuelling the desire for a replacement. With the more neutral Backlot location, this could be the perfect opportunity to introduce Disney’s recently-acquired Marvel characters to the parks, although the building’s small size would certainly be restrictive. It might not be the easiest way to add capacity to the park, as Philippe Gas desires.
Meanwhile, the live Animagique blacklight puppetry show in Toon Studio will be approaching its twelfth birthday in 2014. Popular though it is, that’s a long time for a live show, and considering the huge 1,100-seat capacity of Studio 3, the show provides the park with relatively little capacity. Finally going ahead with a long-mooted replacement by a certain 3-D film such as, ooh, Mickey’s Philharmagic would boost capacity in this part of the park enormously — and that’s precisely what Philippe Gas seems concerned about here, making it a very strong possibility.
Due to the live puppeteers involved, Animagique stages only around five shows per day in the vast auditorium, whereas a 12-minute projected film show such as Philharmagic is able to play continuously from park opening right to closing time; cycling through audiences every 20 minutes or so, and with lower operational costs to boot. The pair are practically cousins, conceived around the same time and both seeing Donald Duck getting lost in a series of classic musical scenes. But with 3-D films becoming passé again and Philharmagic due to be nearing 11 years old in 2014, could it still be viable as a new attraction? A belated opening at Tokyo Disneyland just last year suggests it certainly is.
As you can see, while two new attractions in one year may be a surplus, there’s still no shortage of possibilities in Walt Disney Studios Park to use that valuable credit on. Watch this space…
An unsurprising move is the removal of the awning along the side of the “Imaginations” Cast Member building, caught in this series of photos by Disney Central Plaza’s Mouetto. This was where, from 2002 to early 2009, our studio trams would drive up alongside the building allowing us to get a glimpse inside at the “real working costuming studio”. Reflecting the ethos of the original park this, of course, was not a real film studio costuming workshop but that for the entertainment Cast Members of the resort itself. Now perhaps symbolically, as the park stumbles towards a redefined identity, it is falling to make way for our new Pixar hero.
Elsewhere, changes are more unexpected. Given the effort Walt Disney Imagineering went to providing a ready-and-waiting Parisian street next to Toy Story Playland, and that they had already moved the Studio Tram Tour route for that very expansion, you might be surprised that the road is in the process of moving again. While the 2009 re-route gave plenty of room for the Ratatouille showbuilding, this new road, pushed ever further back, will allow construction vehicles easier access to the site.
A mysterious stone foundation could be seen disappearing into the trees in our previous update. Now the road looks laid and almost ready to open. The attraction is scheduled to re-open as soon as this Saturday. And yet still, the Dinotopia “set” remains…
Mouetto has also shared photos of the vacant corner in front of the Costuming building, where it is expected the attraction’s associated toilets will be built. And, from the elevated viewpoint of Toy Soldiers Parachute Drop, another element of the original Tram Tour already (or, at last) taken away to Euro Souvenirland: the green Pearl Harbor aircraft hangar.
The fact that much-needed toilets could be built here without eating into the operational Costuming workshop might add meat to the rumour that the attraction’s gift shop, rumoured to go into this existing building, won’t be ready at opening. Nevertheless, all this side of the hastily-christened “Studio 4” is still to be hidden, somehow, behind a new series of Parisian façades.
Soon we’ll all be able to feel a little less guilty about visiting Paris without actually visiting Paris…
It’s 2012 (Happy New Year!) and time for a fresh start. For Disneyland Paris, that appears to mean several key elements of the current Disney Magical Moments Festival, marketed to run until 4th March 2012, will be cleared out early. Rumours long suggested the main Mickey’s Magical Celebration show on Central Plaza would face an early finish, due to the much detested Central Plaza Stage finally being ripped out, opening up the hub of the park ready for Dreams.
Now, here’s the confirmation: no performances from 9th January onwards! In truth, the show has had a lukewarm reception ever since last April. Notably lacking the grander spectacle of the previous Disney Showtime Spectacular, it wasn’t quite the kind of production to justify such a monolithic stage to take over the heart of the park. Initially it seemed the four large satellite “arms” of the stage might be lopped off, but now the whole stage is said to be for the chop. For stage shows, this means any future open-air productions will (quite rightly) be on the Théâtre du Château where they belong. For new nighttime spectacular Dreams, the rumour mill is still pumping: Will the removal of the stage open up the area purely for more standing room again, or could the hub become part of the show? One particularly fun (if purely fabricated) rumour is for a “magic” dancing fountain to take the place of the former flower bed. To be honest, even being able to walk across and use the plaza as a “hub”, rather than an impermeable roundabout, seems an exciting prospect at this point.
Making it all the way to the 4th March end date, but not continuing beyond that date, will be the “interactive” show stops of Disney’s Once Upon a Dream Parade, the temporary Tangled meet ‘n’ greet location for Rapunzel and, surprisingly, the small Following the Leader with Peter Pan show in Adventureland. That event was perhaps the most appreciated of all the new “moments” in 2011. For Rapunzel, we must presume she will simply join the other princesses in the new Princess Pavilion.
They’re going the wrong way! It seems like the set-up for a classic something-goes-wrong Disney attraction, but the diversion of Disney’s Stars ‘n’ Cars at Walt Disney Studios Park you see above is actually entirely planned. Since May this year, in fact, the plan has been for the part-parade, part-show event to become a simple linear cavalcade, passing on its original Production Number show stop at Place des Stars. From Friday, the “logistical issues” which had delayed the change were finally overcome when Donald and Daisy led the parade down Rue George Méliès toward Backlot for the very first time.
We noted at the event’s arrival in 2009 how the small, low-level Place des Stars stage wasn’t really suitable for a “main event” like this, allowing so few people to get a good view, which must had led to many poor guest experiences. The only downside of this extended parade run is that the twelve cars appear exactly as before, only with Donald and Daisy taking the lead while Mickey and Minnie provide the finale behind 2010’s added Ratatouille car. Without any dancers or action in-between the vehicles, or a stage show to provide a raison-d’être, does the cavalcade stand up as a parade on its own?
Keep calm and whatever you do, don’t scream. All you budding zombies and vampires itching to get into one of the two exclusive Halloween party nights at Walt Disney Studios Park this Autumn will go voracious to hear that Terrorific Night tickets are now on sale! Priced at €32 or £28, the two dates this year as previously announced are 29th and 30th October.
You can buy tickets direct from the official booking website — click here for UK bookings in GBP or here for bookings in Euros (link takes you to the store for France). The booking pages also come with a few extra provisos and cautions, suggesting that the parties are not recommended for those under 12 years of age and warning that costumes and masks are strictly prohibited at this event.
If none of this sounds like your thing, tickets for the four very child-friendly Mickey’s Not-So-Scary Halloween Party nights and the main Disney’s Halloween Party are also available to buy now. Don’t forget, annual passholders get great discounts of up to 30% on these Halloween party tickets and reportedly a huge 50% off Terrorific Night, cutting the price to just €16. To claim your discount you’ll need to buy via the telephone hotline or at the gates of either park. Read More…
Now in its third year, the event has become popular enough that 2011 will see not one but TWO nights of frights in the second gate, multiplying to cover both the 29th and 30th October 2011. This is in addition to the returning Not-So-Scary Halloween Party nights at Disneyland Park on 7th, 14th, 21st and 28th October and the main event itself, Disney’s Halloween Party on 31st October, giving a grand total of seven Halloween party nights. Scary!
If you follow the official Disney Parks Blog you might have already enjoyed the superb “Tilt-Shift” videos of Magic Kingdom and Epcot at Walt Disney World, which turned those grand Disney parks into something resembling a toy train set or stop-motion animated film. Well, great news Disneyland Paris fans — they’ve taken a trip across the Atlantic! A brand new Disneyland Paris tilt-shift video premiered just hours ago today, in honour of the ninth birthday of Walt Disney Studios Park. Take a look above — it’s a seriously beautiful piece of work.
As the Disney Parks Blog explains, “Tilt-shift videos like these use different photo angles, focus settings and color saturation adjustments to make the subject of a photo appear miniature.” And most awe-inspiring, “It took more than seven months and 4,000 photographs to produce this 2:38-minute clip.” The variety of attractions, events and locations captured is truly impressive, far greater than the two earlier single-park videos, successfully making everything from Disney’s Fantillusion to Moteurs… Action! look like a small-scale model magically coming to life. We even get to see the up-scaled Toy Story Playland attractions downscaled again to the size of a toy!
Nine years ago today, Disney’s tenth theme park worldwide opened its gates. For such a milestone, the original Walt Disney Studios Park of 16th March 2002 was perhaps not the best representative of the Disneyland ideals. Be it through desperate lack of budget or not, the park drastically missed the mark of what a European audience — or any audience — wants from a theme park. Forget the beautiful landscapes of Tokyo DisneySea, opened a year earlier; here there were almost no outdoor themed areas to speak of at all, just 25 hectares of freshly poured tarmac asphalt and 10 attractions housed in uninspiring “soundstages” of concrete. The bid to pay tribute to European filmmakers was noble but possibly misguided — Florida’s raining Singin’ in the Rain umbrella scene was changed to the barely known Les Parapluies de Cherbourg, for example — and the glitzy warmth of Hollywood was oddly missing. The park suffered from a complete lack of escapism, when what people really wanted was a whole park with the colour and spirit found inside, say, Disney Studio 1.
Because that’s the thing — the park has always had some great attractions. Nine years on, CinéMagique remains beautifully subtle and wonderfully entertaining, one of the best movie-based attractions ever. Rock ‘n’ Roller Coaster starring Aerosmith might not be pretty on the outside but the ride inside arguably beats its kitsch Florida cousin, whilst after 9,000 performances it’s easy to take for granted just how impressive the stunts of Moteurs… Action! Stunt Show Spectacular really are.
Having dug itself a hole by ploughing too much (or, you could say, not enough) money into an unpopular park, it took Euro Disney SCA far longer than it should have done to begin expanding the second gate. The Twilight Zone Tower of Terror should really have opened in 2005 (or earlier), rather than begun construction that year, whilst the Toon Studio expansion of Crush’s Coaster and Cars Quatre Roues Rallye should have been there from the start, not five years after opening. No-one should have ever green-lit the Television Production Tour, now occupied instead by Stitch Live! since 2008 and Playhouse Disney Live on Stage! since 2009.
The modest Hollywood Boulevard turned out to be a great surprise and even Toy Story Playland, maligned by some corners of the fan community, is a marked step above any other themed areas in the park. To get the Ratatouille dark ride built in the years ahead would be an amazing feat: the first new dark ride at Disneyland Paris (ignoring Buzz) in all its 20 years and possibly the first real implementation of Audio Animatronics in the whole Studios park. But let’s just hope it doesn’t end there, that we see the park continue like its last four years rather than the first five. May the park continue to improve and expand, to revisit Theater District and fix the original areas, to add places to eat and places to buy things, and maybe, one day, rename Production Courtyard. We can but dream… Here’s to the future!
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