News / Walt Disney Studios Park

There’s a grand “Happy Birthday” and many congratulations in order today — for Disney California Adventure, the problematic second park at Disneyland Resort in California which opened back on 8th February 2001 and is currently nearing the end of an enormous $1 billion makeover project that will transform the original, mediocre gate into a park worthy of the Disney name. If you’ve not been following progress, you’re missing out — be sure to check the official site, Yesterland, MiceAge, this fantastic infographic and all the other great Californian fan sites — it’s a fascinating look at what can happen when Disney really, truly puts its money — and more importantly, its heart — into making something work. Those three beautiful new attraction posters above, a Disney tradition brought forward for a new generation, are the final signature of intent.

What’s the relevance to Disneyland Paris? Well, it’s looking more and more like our own second gate, a similar project of early 2000s misguidedness, has just lost its running partner; been left behind at the starting block. Whatever analogy you want to use, Disney California Adventure is finally getting really good, really fast — and Walt Disney Studios Park, well, it’s still ambling along like all is well. Of course, though they’ve been lumped together for years as Disney’s follies, the two parks were very different. Where California Adventure had in many of its original areas and attractions a disheartening sheen of “hip” tackiness that Imagineering are now having to steam-clean out of the place, Walt Disney Studios was (and still is) simply massively under-built. And not under-built in the rather charming “there’s plenty of room to expand” style of 2005’s Hong Kong Disneyland, either. As a member on our forum succinctly put it, it’s like “a place filled with nice Disney attractions still in their boxes, waiting to be put in a Disney park.” Ironic, then, that Toy Story Playland, probably the best (at least, most fully-realised) themed area in the park is based around toys being unpacked from their boxes.

Even that expensive new land has almost entirely failed to be integrated into the park around it, as seen above. When Walt Disney Studios doesn’t even get a themed path leading to its new land, what hope is there for going back and readdressing the original, lacking areas, like California is doing? What for the original portion of Toon Studio — the barren, soulless area in front of Animagique — do Euro Disney SCA really consider that to be Disney quality? Will Studio Tram Tour: Behind the Magic ever be given a raison-d’être beyond being an extended drive out to Catastrophe Canyon? Whatever happened to those plans Imagineering dreamed up to turn the depressing and utterly theme-less corner of Production Courtyard into a buzzing Theater District to match Hollywood Boulevard, complete with Soarin’, a new period-specific façade for CinéMagique and new dining and retail? At one time, we we seemed sure to see the terrible, emotionless “Production Courtyard” name become “Hollywood Studio”, to match its “Toon” neighbour, with Backlot following suit. Where Disneyland has “lands”, the Studio would have a collection of different theme “studios”, and finally some vision.

Yes, Walt Disney Studios has been given Toy Story Playland whilst California Adventure will get an expensive Little Mermaid dark ride and an enormous Cars Land, but right now this isn’t about size or scale, it’s about vision and intent. Disneyland Paris doesn’t have the money for a Cars Land, but it probably doesn’t need it. The best part of the California makeover isn’t the new attractions but the sensible and thoughtful re-touching of the original park — adding detail, atmosphere, charm and soul. Paris could spend as much as it likes on that mythical Ratatouille dark ride to be nestled at the back of Toon Studio, but it will just be another self-contained patch of quality. The park as a whole still won’t work if the original areas remain unfinished. Luckily, these corners of the park are so devoid of anything that they’re practically a blank canvas. There’s no giant tile mural needs knocking down here. The attractions are top quality, they just need to be unpacked from their boxes, wrapped in a cohesive theme. So where is the vision for Walt Disney Studios, the intent? Maybe it’s still to come. We’ve heard rumblings of a “30-year plan” — but that means if you’re in your 30s today, you’ll be just about retiring by the time the park has moved forward. Today, to the eyes of a visitor, the Studios isn’t going anywhere — and the worst thing a Disney park can ever be is static.

Notes from a Shareholders roundtable meeting at Disney’s Hotel New York back in December suggest some changes to the Passeport Annuel programme could be on the way this year. The first has already taken place: the launch of an official fourth ticket, the Passeport Annuel Classic. Primarily given away free via other companies a promotional tool (to “convert a new population to annual passports”, as the roundtable notes put it), the ticket offers 277 days of park access within each year (that’s 88 blockout dates). Where this gets interesting is that the ticket reportedly went on general sale at the parks on 17th December, costing €98. That’s just one Euro less than the freely-available Passeport Annuel Francilien, which offers a full 300 days in the parks. Confused? Though the Classic has yet to be listed on the official AP pages, the price point and the offering would make it a likely successor to the Francilien, whose name causes confusion (it’s not just for those in the Paris region) and whose advantages are arguably just a little too generous for the price, compared to regular tickets. Discontinuing the Francilien in favour of the Classic would even-up the benefits of each pass. We’ll see…

At the other end of the scale, the Passeport Annuel Dream already gives holders some fantastic discounts and year-round access, but has jumped in price a little lately to €199 after several years at €179. This is still a real steal compared to similar APs at other Disney resorts — and even Paris’ own top-level tickets in years gone by — but the roundtable notes (PDF) reveal that an even more “prestigious” and interestingly, “personalised”, pass could be developed, offering even more benefits. What benefits those may be exactly is unclear — the return of that Disney Hotel parking privilege is unlikely.

Finally, and what could be the biggest change of all: subscription payments. At the moment, each Annual Passport is sold as a one-off ticket, and though the holder should receive an offer to renew at the end of their pass, it’s a considerable hassle for the customer (particularly if you don’t speak French or don’t live in France) and must present quite a drop-off of potential on-going customers for Disney. The meeting notes state that a number of improvements are being studied regarding customer relations, which could lead to “development of tailor-made offers, loyalty programmes and payment by monthly instalments”.

This same idea is currently being discussed quite actively for the American parks, and would mean that an Annual Passport effectively becomes an open-ended ticket to the parks, paid directly from your bank account each month with no need to queue at the Passeport Annuel Bureau each year or send off any renewal forms. Presumably passholders would still need to pay for, say, their first 12 months up-front or be locked into something resembling a phone contract, but in the long term this would surely be very popular for most frequent visitors and fans. Your thoughts, passholders?

VIA Disneyland Paris Corporate – PDF, mouetto (DCP)

Although the green army men’s parachutes themselves have yet to arrive, the six ride seats, each able to carry six trainee toy recruits, managed to stay up in the air for some time, before being lowered again back to the ground.

When the ride opens, the seats will rise and fall gracefully to simulate a lightly bouncing “parachute drop”, inspired by the famous scene in the original Toy Story — the first to be animated in the entire film — where the green army men jump through the bannisters of Andy’s staircase on their mission to relay news of his birthday presents.

Other visible progress on Toy Soldiers Parachute Drop can be seen with the fine mesh which is now covering the lower half of each of the six arms, from a distance thankfully giving the tower a bulkier, more solid appearance, hiding the thin, human-sized safety rails.

On the opposite side of the tower, a new first corner section connecting two of the arms together can be seen, with a staircase leading up to it, appearing to emerge from out of the tower itself. Concept art for the tower has differed on whether all of the arms will be joined together like this, even if purely for decoration. It would certainly make sense to create an even appearance all the way round, but so far no fixings for additional sections can be seen on the other arms.

Thanks to John for the pictures!

Last week, the scaffolding and tarpaulin covering finally expanded to cover the large number “1” at the top of the façade, as the first workers since July 2008 were spotted up high:

Photo: Jake Sully, Disney Gazette forum

This weekend just gone, the first results — all the dirt and grime gone from the top of the number plaque, newly repainted at last:

No photoshop, no joke — real progress at last! Congratulations, Disneyland Paris!

It’s been a long journey. After a master-stroke of corporate thinking between Euro Disney SCA and what was then Buena Vista International (Walt Disney Studios Motion Pictures Group) in 2005, the film distribution arm of Disney apparently paid its theme park operator cousin a nominal fee to use the front of Disney Studio 1 as a huge advertising billboard for new movie Chicken Little.

Eight months later, in April 2006, they continued their “sponsorship” with a new billboard, extending even further up the building, for Pixar’s Cars. Twenty-seven months — over two years — later, it was still there. With fans becoming exasperated, hope came in August 2008 when Studio 1 finally returned to its natural state… well, almost.

Cars on an official photo (2007), Chicken Little concept (2005),
Refurbishment cover (2008), Original façade (2004)

• 16th March 2002 – 8th August 2005: Original, uncovered façade (41 months)

• 8th August 2005 – 4th April 2006: Chicken Little advertisement (8 months)

• 4th April 2006 – 1st July 2008: Cars advertisement (27 months)

• 11th July – Today: Refurbishment covering (20 months)

Total time covered by billboards/scaffolding: 55 months

It was given a complete covering of scaffolding from end-to-end and one of the look-a-like tarpaulin masks we’re now used to seeing on refurbishments. Let the clean-up begin! But then — more trouble. Owing to what the resort would only term “technical difficulties”, the refurbishment covering stayed in place for month, after month, after month. Inside word suggested the project to repaint and uncover the façade was hit either by legal troubles with contractors or safety worries from departments within the resort.

And so we waited, until now, when it looks like our park landmark might finally be in preparation for its first close-up since July 2005. Only opened in 2002, we’ve known this tribute to Walt Disney’s Hyperion Studios for longer with scaffolding attached than without.

It’s time to put that right.

Photos 1-2: as credited; Other Photos: DLRP Today.com/Disney
Thanks to mouetto, DCP for exact billboard dates.

In its original life as Disney Stars and Motor Cars Parade, the Studios’ current parade event certainly wasn’t free from chopping and changing its guest list, with additions such as Monsters Inc., Lilo & Stitch and, er, the Power Rangers during its time in Florida.

The move to Paris saw a glitzy new “Stars ‘n’ Cars” decoration added to Mickey’s lead car, whilst The Muppets’ old vehicle underwent a makeover to become Donald and Daisy’s car.

So now, their first test — making a completely new car from Florida’s old Star Wars vehicle.

We couldn’t have more worthy first additions to the parade, for this Parisian park, than Rémy and Emile. The concept art and making of videos looked promising — and now, just look at the finished car!

With a table setting of hot ratatouille and a fizzing glass on its hood, Rémy and Emile’s brand new car comes decorated with the vintage Parisian posters created by Pixar to promote the film. Behind the pair — dressed in chef’s hats — lies the aftermath of their cooking: a huge pile of pots, pans and kitchen utensils that wobbles, sways and hisses with smoke as the car drives along.

Here’s the official video footage from our new Stars ‘n’ Cars addition:

As you can see, the rats also invade the “production number” on Place des Stars Stage, launching into a specially-recorded can-can with the car drivers donning chef hats and aprons to kick along with the beat.

Impressionnant!

Photos, videos © Disney

Yes, it was probably pitched something like that.

But first, a nice compilation from behind-the-scenes at yesterday’s press events, as a Disneyland Paris video camera follows the press around the new shows and events to give a feeling of these busy press days in the parks:

Now that’s got you warmed up, onto the main show!

Titled “The New Gen Show”, the opening ceremony and dedication of the New Generation Festival has all the usual ingredients of these one-off Disney grand opening spectaculars — a ridiculously large cast, jazzy projections and an “interesting” mélange of music.

On the one hand we have Buzz Lightyear reliving his French disco days, on the other Nemo coaxing Dory (right?) into the arena in something out of an arty theatrical show. All wrapped up with music from… Pixar Play Parade at Disney’s California Adventure.

Yes, it’s an eclectic, enormous and show-stopping opening ceremony for the year ahead. Might they have actually outdone all past efforts? Perhaps — in numbers and scale — even the opening of the resort itself!

It’s a shame, of course, that these kind of lavish events are reserved only for “VIPs” who probably couldn’t give a hoot about seeing a show like this. We have to wonder how much of the footage and how many of the images shot this weekend will really make an impact, or be featured in the media. It’s a tradition now that Disneyland Paris puts on one show for the visitors and one superficial blow-out to look good for the cameras. It’s something for the archives, for them to pull out and say “remember 2010?”.

Although given that they used the stunt arena this year, which has 3000 seats, this would have been a good chance to say, give away a few extra tickets in a prize draw to Annual Passport Dream holders… if only to see the show, to spread word of mouth, and not to enjoy the free food.

Videos © Disney

Not heard of Tinkertoys? No, actually not many of the visitors to Walt Disney Studios Park will have done. A quintessential classic American toy, they were invented in 1914 and allow younger children to build simple models from coloured sticks and wooden spools.

Anyway, on to the park — and look at that, our favourite nondescript walkway has reopened to its full width after being closed during the installation of the Toy Soldiers Parachute Drop ride seats:

Still just as plain as before!

And that really stands out because, just by turning to your left, you’re now confronted by more colour and more fun-looking props and attractions than the whole rest of the park put together. The Tinkertoys have arrived:

This collection of the construction toys roughly mark out the future entrance of the land. Just in front of these, we’ll see our giant Buzz Lightyear figure and ‘Playland’ letters made out of building blocks:

Added to the purple and orange of RC Racer and the greens of Parachute Drop, the Tinkertoys add red, green, orange and blue, all slightly lighter and closer to pastel shades than the primary colours seen in the classic real-life set above.

These giant-sized Tinkertoys had actually already been Imagineered before Toy Story Playland — like several of the props on their way to Paris, they were designed for the Pixar Place and Toy Story Midway Mania area of Disney’s Hollywood Studios. Our new land takes this idea of an oversized playroom and expands it to a garden setting (unfortunately, no interactive dark ride included).

Don’t forget, things like lampposts won’t exist in the fully scaled-up world of Toy Story Playland, so these building sticks will have a variety of functional uses — either supporting cables for over-sized Christmas lights, strung up above the walkways or, as below, carefully concealing human-sized lights:

In fact, turn 180-degrees and you can see more newly-concealed lights:

The Leaning Tower of Tyres outside the Luigi’s Cassa Della Tires façade of Cars Quatre Roues Rallye has had its top tyre modified to include two spotlights, pointing towards the future Toy Story Playland entrance. A clever way to unobtrusively illuminate the giant Buzz Lightyear?

Photos by Dlrpteam for DLRP Today.com

It’s certainly a merchandiser’s dream come true — free reign of the most popular Pixar characters and plenty of toy tie-ins for Toy Story Playland (even there’s still debate as to whether the land itself will have a single retail location).

Whilst the 15th Anniversary and Mickey’s Magical Party souvenirs largely featured the same design splashed over everything, the New Generation Festival already has a much more varied and modern selection of items. From simple logo T-shirts:

To fun character mugs and bowls:

It’s the huge expanded range of Toy Story items which take pride of place this year, however — especially with Toy Story 3 arriving in July. We’ve got cute plush toys of Bullseye, Rex and other Pixar characters:

Alongside the expected action figures and plastic toys:

Of course, you can pick up an RC remote control car after a ride on RC Racer, or a real (and much more conveniently-sized) Slinky toy after a ride on Slinky Dog Zigzag Spin.

Bored of the usual Sorcerer Mickey hats? Try out a funny triangular Buzz Lightyear hat for size:

Or any one of the endless spin-off toys and souvenirs:

And, to tie in perfectly with the parachute-themed ad campaign, there are these special Disneyland Paris-branded “Parachute Sky Diver” figures of Buzz and Woody:

Several other new merchandise lines have been added recently, including this range of “attractions” souvenirs featuring images and logos of Indy, Space, Tower and Pirates against a red graphic backdrop of other attraction logos such as Phantom Manor, Stitch Live and Studio Tram Tour:

The “I Heart Mickey” range of merchandise has also been expanded, with fancy new cups:

And some new mugs which state more elaborately, “I Am Madly In Love With MK.”:

Indeed, you’re never short of ideas for your next coffee mug at Disneyland Paris:

But be careful — too much caffeine (and shopping) can send you Plane Crazy…

Photos by Dlrpteam for DLRP Today.com