News Disneyland Paris Updates & Features

For all the worry over Sleeping Beauty Castle being covered by scaffolding for its complete restoration, it all seems to have been over in a moment. Visitors have watched over the past couple of weeks as first the decorative scrim was taken down then, after a short delay, all of the scaffolding covering the front of the castle came down. While the scaffolding at the back, in the Castle Courtyard, has risen to new heights, the section covering the north easterly wing of le château, on its right-hand side, is now almost all gone. So, what does all this disappearing refurbishment detritus reveal? Well, a Disney park landmark still in transition… almost returned to its full beauty.

Whilst the five new shades of pink have now become very clear, the brickwork a crisp new palette of pastels and clean ivory white, there are many remnants of the previous 1998 repaint remaining. The rooftop above the main window still has its grimy yellow gradient effect, the two golden spires have yet to return with their renewed shimmer and work continues on giving the previously blue/green turret roofs a stronger blue colour. Previously, we’d seen the rooftops painted in a solid, dark blue. This has now been softened with two additional shades on top, to give the same scattered pattern as before, although it’s still clear to see which rooftops have been given the new look against those which haven’t.

Progress has continued this week with the removal of all the scaffolding on the castle’s north easterly wing, revealing a truly gleaming façade behind. On Twitter, @InsideDLParis has been charting the work and captured the photo below which really shows what a fresh coat of paint does for details:

Following a much-needed clean and repaint, the waterfall on the other side of the castle was also been turned back on yesterday. There’s still much to do before the restoration is finally completed this August, but this will mostly consist of smaller-scale works and final touches done using moveable cranes and lifts. Rooftops to be completed at night and paint colours to be finished up in the daytime. And then, at long last, this Sleeping Beauty won’t be dormant any longer.

VIA Photos Magiques news report, InsideDLParis (Twitter)

What do you do when you’re desperately waiting for details of a greatly-anticipated dark ride that Disneyland Paris are unwilling to divulge yet? Pay a visit to the local town planning office in Chessy! That’s exactly what our friends at Disney Central Plaza forum did, returning with a fantastic reward: The very first concept art for the mythical Ratatouille dark ride of Walt Disney Studios Park. Mythical no more. And the word “art” for this concept couldn’t be more apt. It’s a real artwork — colourful, stylised, evocative and very, very classy. Perhaps the first “art” we’ve seen of this quality for Disneyland Paris in almost a decade. It depicts three main Parisian façades in slightly different styles grouped around a traditional cobblestone courtyard. A huge fountain splashes to one side, the signage of Gusteau’s restaurant is high up on the rooftops, the streetlamps glow yellow, the leaves on the trees are a beautiful autumnal ochre. After almost three years of anticipation for this attraction, here it is.

But even better, this is backed up by some cold, harsh technical drawings. Because you know that old adage — “It’ll never look as good as the concept art…” — well, this might.

The first plan above shows the layout of the new attraction building, which is rather different to what we saw back in 2009 (and have been poring over ever since). Now, the new building is not joined directly onto the existing costuming building (officially known as the Imaginations building, and marked as “Batiment Imaginations” on the plan), but sited right next door with a few metres gap between the two. The new building will host the dark ride, obviously, but also a new restaurant connected to the attraction. Will the grey Imaginations building still be sitting there with only a “Studio 4” placard for theming, then? Certainly not — this corner at least will be dressed up in matching Parisian facades to create a complete courtyard around the centrepiece fountain. Real façades, too — the same quality as the buildings of Hollywood Boulevard, not flat backdrops. The existing costuming workshop here, which we used to get a view of from Studio Tram Tour, will relocate and the space will be used for the ride’s all-important shop and something even more pressing for this area of the park: toilets.

Put into three dimensions, the layout of the new building becomes even clearer.

We’ll be entering the ride on the right, under the large archway of the third main façade, where a Ratatouille logo can be seen in the artwork. An extended (fully covered!) outdoor queue stretches along the side of the building before heading inside. The centre section seems to be the restaurant, with a covered terrace projecting into the courtyard, whilst the façade on the far left appears to be Gusteau’s restaurant, which may or may not be the entrance to the real restaurant located here. Because here’s one final morsel: we won’t necessarily be dining at Gusteau’s as humans!

Planning permission for the above plans was granted by Chessy town hall on 20th April, although the project still crucially requires the agreement of lending banks to finance construction. In their financial position, Disneyland Paris require these “cash injections” for all major expansion projects, such as the €240 million investment programme from 2005 to 2008 (for Buzz, Crush, Cars, Tower). The cost of this single dark ride, with all its flashy technology? Somewhere around a cool €150 million. If the lenders agree that this would significantly improve the offering of Walt Disney Studios Park, pulling in more guests and money (it would), then we could still be looking at an opening sometime in 2013.

New to this project? Read back all our past news stories about this dark ride which — according to rumour — promises to mix the “trackless” technology of Tokyo Disneyland’s Pooh’s Hunny Hunt with the 3D projections of Universal’s The Amazing Adventures of Spider-Man!

VIA Disney Central Plaza

A 20/20/20 vision: The official logos for the 20th Anniversary are here! Who cares there’s eleven months still to wait and that so far we only know one addition. Tinker Bell couldn’t wait any longer to prove that, when she’s not churning out direct-to-home video movies, there’s nothing she likes better than to jazz up a few anniversary logos with some pixie dust sparkle. This trio of three differently-formatted logos are the first pieces of the resort’s promotional materials for the big events of 2012 to be released, revealing a shiny, pretty, colourful logo that looks, well, exactly as you’d expect. Glossy lettering? Check! Pink castle? Check! Tinker Bell? Check! It looks a definite step up from the 15th Anniversary logo, however, with a much bolder and more modern design style that includes a nice multi-coloured pixie dust trail from Tink (reminiscent of Tokyo’s 25th designs)and giant sans-serif numbers. Even the Castle looks perfectly pretty, with no humiliating Mickey Mouse symbols plastered over its windows, something that had become worryingly trendy over recent years.

One of the secondary logos simply features the Disneyland Paris logo with “20” to one side, similar to the classy alternative 15th Anniversary logo which became increasingly popular through that event. The semi-circular design of the main logo, meanwhile, looks like practically every Disneyland Paris logo of the late ’90s. It’s hard to know whether the recurring themes of the castle, Tinker Bell, fireworks, pixie dust and circular shapes show a lack of a imagination or a fun nod to the past. At least this time, the Peter Pan reference might tie into an actual anniversary event.

What do you think? Let’s have scores out of 20!

Drink up me hearties: Captain Jack Sparrow is coming to Pirates of the Caribbean at Disneyland Paris in 2012! The European version of the attraction will finally end a 5-year stint as the only edition not to reference to the blockbuster movies, adding the exact same Audio Animatronics and special effects which “plussed” the Anaheim and Orlando rides in 2006 and Tokyo’s version in 2007. That includes three animatronic figures of Jack Sparrow himself, looking remarkably like the Johnny Depp character — one amongst the mayor/auctioneer scene, one hiding in a barrel and one drinking up in the final treasure caverns. In addition, the captain of the ship in the “attack” scene at the bottom of the first drop will likely be replaced by Barbossa, and the Imagineers will hopefully find somewhere to position the mist screen projection of Blackbeard, which was just announced to replace the original Davy Jones projection at Anaheim and Orlando yesterday. In the three broadly similar versions of the attraction already updated this comes at the start of the ride as a forewarning, but with the Paris edition having a different story layout its exact position is currently unclear.

The update has been confirmed internally for a while now, though so far hasn’t been officially announced and isn’t likely to be for a few months at least. But there we have it, our first known 20th Anniversary addition! Funnily enough four years ago we were talking about this exact update for the 15th Anniversary, but that’s Disneyland Paris. It seems like every year since then the rumour has resurfaced again, as those behind the magic tried to push it through the budgeteers, whilst money was spent instead on theme year after theme year. Most recently it looked like a dead cert for this year, what with the much-anticipated fourth film due out this very month (and enjoying a huge world premiere event at Disneyland in California today). As Captain Jack would have said several times over by now, “If you were waiting for the opportune moment …that was it.” But next year will do just fine, providing a solid Imagineering addition in what’s otherwise looking like a very Entertainment-based anniversary.

So, enjoy “On Stranger Tides” in stereoscopic digital 3D and then set course for Paris this time next year, to see Sparrow come alive in three real dimensions. And he only took 6 years to cross the Atlantic!

They say no ideas at Disney ever go to waste and for Disney’s Stars ‘n’ Cars, the daily parade-come-show at Walt Disney Studios Park, that means a refreshed format reported to begin this summer will be a lot like a look at “what could have been”. Matthew Burggraeve (aka @InsideDLParis) tweeted on Friday that the parade would lose its “petite surprise” stage number and instead become a “parade with a meet ‘n’ greet showstop”. Before its Parisian debut in April 2009, the parade was due to become exactly that, before that idea was overtaken by one to pile all those individual show stops into one “mega show stop” on the arguably inadequate Place des Stars stage in Production Courtyard. This has often led to guests needing to arrive over half an hour (and perhaps up to one hour) in advance to find a spot on the front row for this performance, with the vast majority of guests behind them getting a poor view of the action in the cramped and untiered viewing space. If the event becomes a more standard parade, the amount of visitors able to feel part of the action will almost double as the route up through Backlot is brought back to life, for the first time since 2009’s High School Musical Party! show departed.

Meanwhile, Disney’s Once Upon a Dream Parade will reportedly see even more tweaks after the “interactive” show stops introduced for the Magical Moments Festival don’t appear to have been received too well. Changes apparently due early this month include “more dancing, less interaction and new music”, which might upset those hoping to hear the return of the “Just Like We Dreamed It” theme song written specifically for the parade in its show stops. In this case, you could have said way back in March: If it ain’t broke, don’t fix it.

VIA @InsideDLParis (Twitter)

Friday might have been a big day for royalty in the United Kingdom, but across the channel it’s been a big week for the royal palace of Marne-la-Vallée. The complete refurbishment of Le Château de la Belle au Bois Dormant rolls on at impressive pace, now seeing the first bold blue turrets unveiled following brief spells capped in white primer “snow”. When Peggie Fariss told us during last month’s refurbishments presentation (which we will conclude writing up this week!) that the previously blue-green turrets would see their blue “brought out much more”, that wasn’t an understatement. The photo above by Chouket on Disney Central Plaza gives a good overview of the change, with a half-done blue turret up front contrasted with several older, greener rooftops behind. This proves that whilst it was an easy way to headline the new colour scheme as “returning to the 1992 look”, that’s not the full story. The colours of 2011 will certainly be much closer to 1992 than the second 1998 era now being concluded, but they are really a completely new scheme, a brave new third era for the landmark.

While some turrets have gone blue, two have gone completely missing. They didn’t hop on Eurotunnel for the Royal Wedding — they’re the two thinnest towers (decorated with snails) which are due to regain their original gold leaf colouring, and the easiest way to do that is to simply pop them off and do it at ground level somewhere backstage. At the same time, this very Saturday saw the unveiling of the castle’s tallest rooftop, looking simply stunning in its new solid blue with gold accents:

The first photo above was tweeted by @InsideDLParis just last Wednesday 27th April, whilst the second is from Saturday 30th, showing the remarkable speed that the castle is being given its new colours. From a white primer base coat, the roof now already has its final solid blue and another two rooftops to the right have swiftly turned white to continue the transformation overnight. No doubt you notice another big change, too — the removal of the decorative scrim! The whole tarp covering the front of the castle was removed this week to reveal what looks to be a practically complete façade behind. Edges and details are now a crisper ivory white, whilst the stonework has a bluer palette, richer again than the drab grey it had become and contrasting perfectly with the castle’s five new shades of pink.

Whilst the tarp has been removed, the scaffolding stays in place for now. We were told at the presentation that finishing touches to paint colours would require work in clear daylight, to ensure the right look is achieved, as well as that scaffolding would begin to disappear “by June”. Perhaps this front section will be taken down imminently before that date, but it’s not a given.

Meanwhile, don’t think this restoration is all about turrets and towers — one popular landmark has just been given a much-deserved makeover. Nicknamed “Fungus Falls” for far too long, there’s not a spot of green dirt in sight at the castle’s thundering waterfall now, turned off and completely cleaned up with fresh paint! Take a particularly close look at those three stone columns between the railings in the foreground — the one nearest the camera hasn’t been repainted yet on one side, giving a good idea of this dramatic “before and after”. The entire project is set to be complete by the end of August.

VIA Chouket (DCP), @InsideDLParis (Twitter)

Here’s the latest on Big Thunder Mountain following the incident on Monday which saw four guests injured and one taken to hospital. It now appears to be confirmed that the attraction won’t reopen before 27th May 2011 — that is, before the end of the already-planned refurbishment which had been pencilled in some time ago for 9th to 27th May 2011. This lengthy closure will primarily see the entire mountain (and this time, also the Rainbow Arch) repainted in its rich ochre colour, a task last completed almost five years ago in October 2006. This seems like an obvious and sensible outcome, to roll the closures into one, and the park is perhaps “lucky” with the timing of the incident (if you can use those words) that this is possible. Rumours circulating that the ride will be “closed for three months” should be disregarded at this point. The photo above, taken today by InsideDLParis on Twitter, shows green refurbishment walls now positioned in front of the entrance.

As for the incident itself, latest word is that the faux rock made of fibreglass didn’t fall directly onto a trainload of passengers but onto the track. It was then hit by the train as it passed, launching the debris which injured five of the 25 riders. As noted on Monday, four of those guests, from outside of France, returned to the park after being treated on the scene. The condition of a 38-year old Frenchman who was taken to hospital was clearly stated to not be life-threatening. Le Parisien reports his wife and two children were being accommodated again by Disneyland Paris on Tuesday night. A prosecution against Euro Disney Associés SCA has been opened for the man’s temporary incapacity for work following the injuries, and the Chessy police service continue to investigate. A spokesperson for the company has stated this is the first incident of its kind since the resort opened in 1992.

VIA @PhotosMagiques, @InsideDLParis (Twitter), Le Parisien

Les Villages Nature de Val d’Europe might not have the most catchy name, particularly for non-French speakers, but the project’s new website has just launched at a more succinct www.villagesnature.com. This is the 50/50 development between Euro Disney and Pierre & Vacances Center Parcs, a huge new leisure and accommodation destination planned to be built on land surrounding Disney’s existing Davy Crockett Ranch a few kilometres south-east of the parks. A first phase of 1,730 accommodation units (710 apartments surrounding the main lake, 1,020 individual cottages further south) would also see the creation of a unique geothermal heated lagoon and the largest water park in Europe, along with restaurants, shops and other amenities. This new website seeks to collect questions and opinions from those affected in the local area, with a budget  of €700 million “subject to public debate”. Of that, €430 million would be for accommodation units, to be leased to individual investors for periods of 9 years, whilst €260 million would be for the water park, leisure facilities, shops and restaurants.

The results of this public inquiry will be known in August, when the authorities are hoped to give the go-ahead. Marketing would then begin towards the end of this year with construction starting in the first quarter of 2013 for a first phase opening date of first quarter 2015. Don’t think this project will be a self-contained expansion, either — we’ll certainly see the effects back up at the main esplanade. The Transports page confirms some big changes, such as the long-awaited construction of a southern entrance to the TGV platforms, opposite the new World of Disney, allowing travellers from Val d’Europe and the south to access the high speed rail station without crossing the busy park entrances. Not only that, but a southern RER entrance is now also planned, and a southern bus station to be positioned in front of the Disney Village parking building.

Even more dramatic, Disneyland Paris would no longer be the end of the RER A line, with a plan to extend the line to join up with RER Line E at the town of Esbly to the north-east — currently very close but hard to access from the resort. Sadly for international travellers there’s no such rail extension in the pipeline up to Charles-de-Gaulle Airport (which would surely be both profitable with tourists and hugely useful for locals, better than using the TGV for such a short hop), but an “intensification of shuttle services”. The envisaged tramway system also appears to have hit a buffer-stop when Val d’Europe lost its bid for the French Open tennis tournament, meaning the super-eco-friendly project will probably be relying on shuttle buses. Although a stop at least looks to be provided for Davy Crockett Ranch, which will remain separate from the project, allowing trappers to leave their cars behind to get to the parks. Finally, the road network would be improved — in particular with an entrance to the Villages Nature themselves branching south from the main Exit 14 of the A4 autoroute, visible in the map above.

Architecturally, many of the buildings revealed so far are certainly daring. In fact, you might worry that these are going to be the 2015 equivalent to 1992’s soon-dated Festival Disney. But a strong artistic direction at this stage could also be reassuring. The most exciting aspect so far is that Joe Rohde, the lead designer of Disney’s Animal Kingdom, has been mentioned as part of Walt Disney Imagineering’s artistic involvement, and it seems you can see that influence already in the buildings overgrown by plants, creating a mélange of man and nature. Arts & Crafts and Art Nouveau are strong influences, with the styles of Frank Lloyd Wright and Friedensreich Hundertwasser quoted officially as inspirations.

VIA Projet Villages Nature