May 2011

Disneyland is moving to Belgium! Well, almost. It was officially announced today that the 2011 Blankenberge International Sand Sculpture Festival will, for the very first time, feature unique recreations of Disney characters and Disneyland Paris landmarks made — you guessed it — out of sand! According to the festival’s website, visitors to the West Flanders seaside resort between 10th June and 12th September this year will get to see “a selection of well-known attractions and unforgettable moments” sculpted out of 3,000 square metres of sand. The result of many months of planning by the Benelux office of The Walt Disney Company, the Magical Moments Festival tie-in promises to be unmissable for those familiar with Disneyland Paris and great promotion for those who aren’t. Will you be able to visit Blankenberge to check out this limited-time Disneysand Paris exhibition?

VIA Blankenberge sand sculpture, Disney_ParisEN (Twitter)

One week from now, you’ll be able to enjoy your very first Earl of Sandwich meal in Disney Village! It’s been a long wait for this new sandwich chain to open its Disneyland Paris location on the edge of Lake Disney, but now the final touches are being applied inside and out. As the photo taken on Saturday by @InsideDLParis on Twitter above shows, signage is up on both sides of the building, floating stylishly in the middle of the glazing. Pieces of the circular tower and other elements of the façade have finally begun to arrive, at last hiding the steel frames we’ve been watching for months. At the side of the building, the staircase up to the rear terrace is going in. Also of note, the relaid ground in front of the new restaurant. When this was dug up, fans wondered if it might mark the start of a new paving scheme for the Village, but no — it’s the same wavy coloured style as the rest of the street.

The first official photo from inside the restaurant also emerged recently (above), showing an Earl of Sandwich-branded construction helmet in front of the faux-bookcase positioned next to the mezzanine level. This shows good progress towards the final design, which we’ve not posted before, shown below. The main feature as you walk inside will be a huge historic wall map of Europe, centred on England.

And how much will an Original 1762 or Full Montagu cost in Paris? Apparently sandwiches will be set at a flat €5.50 each. That’s around €1.25 more than the $5.99 charged in the US (around $6.35 with tax), and a euro more (based on current rates) than what the Earl is charging in his first European restaurant. Yes, that’s right — although the Disney Village location was touted as Earl of Sandwich’s entry to the European market, it was beaten just this month by a restaurant on Ludgate Hill in the City of London, which is charging £3.95 per sandwich. That’s roughly similar to the many other sandwich and coffee chains lining the same street, which leads up to St Paul’s Cathedral. Still, even if the Disney Village outlet is the most expensive, Earl of Sandwich is still going to be beating Disney’s own counter service sandwiches (priced €6.00 and up) by a neat 50 cents — for freshly-prepared-in-front-you, hot snacks. Better watch out, Disney — the real sandwiches are coming.

VIA InsideDLParis (Twitter), Disney Gazette, Grandmath (DCP)

For all the worry over Sleeping Beauty Castle being covered by scaffolding for its complete restoration, it all seems to have been over in a moment. Visitors have watched over the past couple of weeks as first the decorative scrim was taken down then, after a short delay, all of the scaffolding covering the front of the castle came down. While the scaffolding at the back, in the Castle Courtyard, has risen to new heights, the section covering the north easterly wing of le château, on its right-hand side, is now almost all gone. So, what does all this disappearing refurbishment detritus reveal? Well, a Disney park landmark still in transition… almost returned to its full beauty.

Whilst the five new shades of pink have now become very clear, the brickwork a crisp new palette of pastels and clean ivory white, there are many remnants of the previous 1998 repaint remaining. The rooftop above the main window still has its grimy yellow gradient effect, the two golden spires have yet to return with their renewed shimmer and work continues on giving the previously blue/green turret roofs a stronger blue colour. Previously, we’d seen the rooftops painted in a solid, dark blue. This has now been softened with two additional shades on top, to give the same scattered pattern as before, although it’s still clear to see which rooftops have been given the new look against those which haven’t.

Progress has continued this week with the removal of all the scaffolding on the castle’s north easterly wing, revealing a truly gleaming façade behind. On Twitter, @InsideDLParis has been charting the work and captured the photo below which really shows what a fresh coat of paint does for details:

Following a much-needed clean and repaint, the waterfall on the other side of the castle was also been turned back on yesterday. There’s still much to do before the restoration is finally completed this August, but this will mostly consist of smaller-scale works and final touches done using moveable cranes and lifts. Rooftops to be completed at night and paint colours to be finished up in the daytime. And then, at long last, this Sleeping Beauty won’t be dormant any longer.

VIA Photos Magiques news report, InsideDLParis (Twitter)

What do you do when you’re desperately waiting for details of a greatly-anticipated dark ride that Disneyland Paris are unwilling to divulge yet? Pay a visit to the local town planning office in Chessy! That’s exactly what our friends at Disney Central Plaza forum did, returning with a fantastic reward: The very first concept art for the mythical Ratatouille dark ride of Walt Disney Studios Park. Mythical no more. And the word “art” for this concept couldn’t be more apt. It’s a real artwork — colourful, stylised, evocative and very, very classy. Perhaps the first “art” we’ve seen of this quality for Disneyland Paris in almost a decade. It depicts three main Parisian façades in slightly different styles grouped around a traditional cobblestone courtyard. A huge fountain splashes to one side, the signage of Gusteau’s restaurant is high up on the rooftops, the streetlamps glow yellow, the leaves on the trees are a beautiful autumnal ochre. After almost three years of anticipation for this attraction, here it is.

But even better, this is backed up by some cold, harsh technical drawings. Because you know that old adage — “It’ll never look as good as the concept art…” — well, this might.

The first plan above shows the layout of the new attraction building, which is rather different to what we saw back in 2009 (and have been poring over ever since). Now, the new building is not joined directly onto the existing costuming building (officially known as the Imaginations building, and marked as “Batiment Imaginations” on the plan), but sited right next door with a few metres gap between the two. The new building will host the dark ride, obviously, but also a new restaurant connected to the attraction. Will the grey Imaginations building still be sitting there with only a “Studio 4” placard for theming, then? Certainly not — this corner at least will be dressed up in matching Parisian facades to create a complete courtyard around the centrepiece fountain. Real façades, too — the same quality as the buildings of Hollywood Boulevard, not flat backdrops. The existing costuming workshop here, which we used to get a view of from Studio Tram Tour, will relocate and the space will be used for the ride’s all-important shop and something even more pressing for this area of the park: toilets.

Put into three dimensions, the layout of the new building becomes even clearer.

We’ll be entering the ride on the right, under the large archway of the third main façade, where a Ratatouille logo can be seen in the artwork. An extended (fully covered!) outdoor queue stretches along the side of the building before heading inside. The centre section seems to be the restaurant, with a covered terrace projecting into the courtyard, whilst the façade on the far left appears to be Gusteau’s restaurant, which may or may not be the entrance to the real restaurant located here. Because here’s one final morsel: we won’t necessarily be dining at Gusteau’s as humans!

Planning permission for the above plans was granted by Chessy town hall on 20th April, although the project still crucially requires the agreement of lending banks to finance construction. In their financial position, Disneyland Paris require these “cash injections” for all major expansion projects, such as the €240 million investment programme from 2005 to 2008 (for Buzz, Crush, Cars, Tower). The cost of this single dark ride, with all its flashy technology? Somewhere around a cool €150 million. If the lenders agree that this would significantly improve the offering of Walt Disney Studios Park, pulling in more guests and money (it would), then we could still be looking at an opening sometime in 2013.

New to this project? Read back all our past news stories about this dark ride which — according to rumour — promises to mix the “trackless” technology of Tokyo Disneyland’s Pooh’s Hunny Hunt with the 3D projections of Universal’s The Amazing Adventures of Spider-Man!

VIA Disney Central Plaza

A 20/20/20 vision: The official logos for the 20th Anniversary are here! Who cares there’s eleven months still to wait and that so far we only know one addition. Tinker Bell couldn’t wait any longer to prove that, when she’s not churning out direct-to-home video movies, there’s nothing she likes better than to jazz up a few anniversary logos with some pixie dust sparkle. This trio of three differently-formatted logos are the first pieces of the resort’s promotional materials for the big events of 2012 to be released, revealing a shiny, pretty, colourful logo that looks, well, exactly as you’d expect. Glossy lettering? Check! Pink castle? Check! Tinker Bell? Check! It looks a definite step up from the 15th Anniversary logo, however, with a much bolder and more modern design style that includes a nice multi-coloured pixie dust trail from Tink (reminiscent of Tokyo’s 25th designs)and giant sans-serif numbers. Even the Castle looks perfectly pretty, with no humiliating Mickey Mouse symbols plastered over its windows, something that had become worryingly trendy over recent years.

One of the secondary logos simply features the Disneyland Paris logo with “20” to one side, similar to the classy alternative 15th Anniversary logo which became increasingly popular through that event. The semi-circular design of the main logo, meanwhile, looks like practically every Disneyland Paris logo of the late ’90s. It’s hard to know whether the recurring themes of the castle, Tinker Bell, fireworks, pixie dust and circular shapes show a lack of a imagination or a fun nod to the past. At least this time, the Peter Pan reference might tie into an actual anniversary event.

What do you think? Let’s have scores out of 20!

Drink up me hearties: Captain Jack Sparrow is coming to Pirates of the Caribbean at Disneyland Paris in 2012! The European version of the attraction will finally end a 5-year stint as the only edition not to reference to the blockbuster movies, adding the exact same Audio Animatronics and special effects which “plussed” the Anaheim and Orlando rides in 2006 and Tokyo’s version in 2007. That includes three animatronic figures of Jack Sparrow himself, looking remarkably like the Johnny Depp character — one amongst the mayor/auctioneer scene, one hiding in a barrel and one drinking up in the final treasure caverns. In addition, the captain of the ship in the “attack” scene at the bottom of the first drop will likely be replaced by Barbossa, and the Imagineers will hopefully find somewhere to position the mist screen projection of Blackbeard, which was just announced to replace the original Davy Jones projection at Anaheim and Orlando yesterday. In the three broadly similar versions of the attraction already updated this comes at the start of the ride as a forewarning, but with the Paris edition having a different story layout its exact position is currently unclear.

The update has been confirmed internally for a while now, though so far hasn’t been officially announced and isn’t likely to be for a few months at least. But there we have it, our first known 20th Anniversary addition! Funnily enough four years ago we were talking about this exact update for the 15th Anniversary, but that’s Disneyland Paris. It seems like every year since then the rumour has resurfaced again, as those behind the magic tried to push it through the budgeteers, whilst money was spent instead on theme year after theme year. Most recently it looked like a dead cert for this year, what with the much-anticipated fourth film due out this very month (and enjoying a huge world premiere event at Disneyland in California today). As Captain Jack would have said several times over by now, “If you were waiting for the opportune moment …that was it.” But next year will do just fine, providing a solid Imagineering addition in what’s otherwise looking like a very Entertainment-based anniversary.

So, enjoy “On Stranger Tides” in stereoscopic digital 3D and then set course for Paris this time next year, to see Sparrow come alive in three real dimensions. And he only took 6 years to cross the Atlantic!

Here’s a word: unprecedented. We always hoped there would be a big effort to get the parks and resort “neat and pretty” for the 20th Anniversary, but no-one expected the refurbishments to come so early and so all-encompassing. Seeing each of the projects announced during the 2011 refurbishments presentation starting one by one is very exciting indeed, especially when they’re finally beginning to fix “black spots” such as the Newport Bay Club lighthouse. This prominent beacon on the all-to-often windswept Lake Disney has had its wood panelling literally hanging off for the past few months. Things weren’t so drastic at The Old Mill in Fantasyland, captured by @InsideDLParis with its sails removed for work to begin, but expect similar repairs to the panelling and roof.

Elsewhere, the Fantasyland repaving project has just hit the British quarter of the land. As seen in the photo by Disney Gazette below, the area around Toad Hall Restaurant behind Dumbo the Flying Elephant is now temporarily closed for work to replace the tired concrete.

And over in Adventureland, perhaps the largest project of all these — the complete restoration of the Colonel Hathi’s Pizza Outpost exterior. Unlike The Old Mill, this walk-in counter service restaurant remains open, with scaffolding and tarp currently surrounding the entire first two floors.

VIA Disney Gazette, @InsideDLParis (Twitter)

They say no ideas at Disney ever go to waste and for Disney’s Stars ‘n’ Cars, the daily parade-come-show at Walt Disney Studios Park, that means a refreshed format reported to begin this summer will be a lot like a look at “what could have been”. Matthew Burggraeve (aka @InsideDLParis) tweeted on Friday that the parade would lose its “petite surprise” stage number and instead become a “parade with a meet ‘n’ greet showstop”. Before its Parisian debut in April 2009, the parade was due to become exactly that, before that idea was overtaken by one to pile all those individual show stops into one “mega show stop” on the arguably inadequate Place des Stars stage in Production Courtyard. This has often led to guests needing to arrive over half an hour (and perhaps up to one hour) in advance to find a spot on the front row for this performance, with the vast majority of guests behind them getting a poor view of the action in the cramped and untiered viewing space. If the event becomes a more standard parade, the amount of visitors able to feel part of the action will almost double as the route up through Backlot is brought back to life, for the first time since 2009’s High School Musical Party! show departed.

Meanwhile, Disney’s Once Upon a Dream Parade will reportedly see even more tweaks after the “interactive” show stops introduced for the Magical Moments Festival don’t appear to have been received too well. Changes apparently due early this month include “more dancing, less interaction and new music”, which might upset those hoping to hear the return of the “Just Like We Dreamed It” theme song written specifically for the parade in its show stops. In this case, you could have said way back in March: If it ain’t broke, don’t fix it.

VIA @InsideDLParis (Twitter)