Friday, 4th May 2007

Avant-première(s) for Crush and Cars

…And this time, it really is being rolled out to us. Not only will the press come in smaller numbers (700 compared to 1700 for 31st March) and one week after the opening (16th June), but the organisers of the resort’s Shareholders Club and Annual Passport Dream privileges have finally mailed invites and organised events to celebrate the 15th.

First, the Shareholders Club. Announced via email, on the official website and now through a mailed invite (below), shareholders of Euro Disney SCA have the exclusive opportunity to ride Crush’s Coaster and Cars Race Rally as many times as they wish between 12pm and 3pm on 2nd June 2007.

Places at the event are strictly limited to a first-come first-served basis, and you must apply online no later than 25th May 2007. Your Shareholders Club card must also have been valid at 1st May 2007.

Shareholders will be able to receive up to 2 free Passe-Partout park hopper tickets for the day and up to 4 wristbands to gain access to the attractions – meaning up to 3 friends or family can join you for the rush to Crush! In addition to Salon Mickey, the mezzanine of Restaurant En Coulisse will offer a similar service of complimentary refreshments from 9:30am to 11:30am.

More details can be seen in the flyer above, and don’t forget to register now if you’d like to attend!

Not a shareholder? Well, grab your Passeport Annuel Dream and you too can join the rush – a few hours earlier than those Shareholders, infact! By simply showing up at Walt Disney Studios Park and presenting your Annual Passport Dream, you can get exclusive access to the two new attractions at the following times:

Saturday 2nd June 2007 – 9am to 12pm
Sunday 3rd June 2007 – 4pm to 7pm
Wednesday 6th June 2007 – 10am to 12pm

Dream passholders can also invite one friend (with a valid park passport) to join them in the rush. As with the Shareholders event, the attractions can be closed at any time during these final test runs, to troubleshoot or tweak at the Imagineers’ discretion.

It’s important to note that, whilst all of these events are being labelled as “Avant-Première” previews, guests will by no means be the “first” to ride the two new attractions. Like all new Disney attractions, they will be opened to the public for select periods in the fortnight before their official opening to test the systems, train the Cast Members and respond to the guest reaction. These events simply help loyal guests get an extended preview before the “rush” truly begins.

The “Soft Openings” themselves are scheduled to run most days from the end of May to the 9th June grand opening, so Shareholder, Dream passholder or regular guest – the avant-premières will continue for some time, and the “red carpet” finally available for all.

Finally, impressive proof that the Red Carpet has returned after his success in early April. Making a dazzling comeback last night on French TV network M6 (think E4 if you’re in the UK), he flew through the sky once again before diving down into the depths of the ocean and spiralling around to help launch the first piece of advertising directly aimed at Crush’s Coaster and a competition to win your own avant-première visit.

You can download the brief TV spot (around 18 seconds) here, uploaded by Mouetto on Disney Central Plaza forum.

Friday, 4th May 2007

Kachow! Lightning has arrived!

Yes, the ego has landed! Coming in the form of a life-size replica similar to the models seen at Disney’s California Adventure park and Disney-MGM Studios Florida last year, the sleek and shiny red racing hero (known as Flash McQueen in France) has every detail perfected – from “Lightyear” tires to his “Rusteze Bumper Ointment” stickers.

In a great example of being in the right place at the right time, one of our readers was kind enough to send in a couple of photos taken from Studio Tram Tour. After five years of Jeremy Irons and Dinotopia, the tour easily provided one of its most exciting moments for passing guests. As their tram passed by the main route from backstage to the Toon Studio construction site, Lightning McQueen was resting on a fork-lift truck waiting to be carried across and dropped off at Cars Race Rally!

The replica joins Mater (known as Martin in France), who arrived a few days earlier, to greet guests at the entrance of the attraction in the park’s new Radiator Springs settlement (as seen in the concept art below) and “cheer visitors on” as they compete in the race rally spin-out in the dusty “canyon” below.

In the US resorts, the vehicles appear as drive-around models who enter and exit the park several times a day to meet guests. For Paris, they will likely be presented simply as stationary figures, allowing guests to pose for photos and meet their heros all throughout the day at Walt Disney Studios Park.

These two characters bring the total number currently confirmed for the attraction to three, since we have already seen that Luigi will also be featured in life-size formrecreated for the very first time especially for Paris — in front of his famous Casa Della Tires storefront, complete with Leaning Tower of Tires.

Lightning McQueen photos with thanks to Kevin Hollingworth.

Sunday, 29th April 2007

Crush in motion, first look at boarding area

Remember the backstage tour given to the press after their 1st April press conference for the new attractions? Well, here are the fruits – a report on TV network France3 showing not only a glimpse at the 15th Anniversary festivities but also a unique look inside the boarding area of Crush’s Coaster. The backstage tours, hosted by Imagineers from Beth Clapperton (who you might remember from that first photo of the turtle shells back in January) to Tom Fitzgerald (Executive Vice President and Senior Creative Executive of Walt Disney Imagineering no less), have paid off with some excellent footage of the new attraction for this belated birthday report, shown just over a week ago.

In these brief shots from inside the attraction, the turtle shell vehicles are cycling through the ride on test runs, whilst the boarding area is illuminated with all manner of lighting and projections.

You might notice right away that the colours are exaggerated and the studio lighting in the ceiling above clearly visible – this is, after all, meant to be a real working film set. Smaller lights and lanterns are positioned throughout the area, which looks almost identical to the scale model we saw in January. Naturally for a Disney dark ride, the Sydney fishing pier scene is set at night, with the corrugated walls filled with reflections from the “water” and purple hues to reflect the time. However, this being an indoor soundstage, the magic of movies can (and is certainly planned to) do interesting things – like turn night to day in just a few seconds, similar to Disney Studio 1

The camera next turns to face the control booth, themed to a hut on the pier, and therefore naturally populated with a rowdy duo of seagulls. These popular birds, first seen at Epcot’s The Seas with Nemo & Friends last year, might just have the unexpected claim to the title of the very first Audio-Animatronics to be featured at Walt Disney Studios Park! Quite a claim to fame, and no doubt there’ll be a familiar fight over who gets the trophy – “Mine!” “Mine!”.

Beyond the gulls, the report takes us to an interesting angle on the ride we probably won’t see when it finally opens in just over 1 month – one of the turtle shell vehicles cresting the first lift hill and plunging outside the attraction through the blue rockwork of the façade.

Even from this angle, the supports and footers of the track – which were previously fully visible during construction – have actually been completely hidden and surrounded by the rockwork. Only the track itself pokes through, and this concealed from a normal guests’ point of view by the rockwork surround.

And now, in motion…


Reportages 15 ans France 3
Uploaded by DynGo

Many thanks to the fans of Disney Central Plaza forum for capturing these stills and uploading the video for all fans outside of France to see.

But now, with the 15th launch complete, fans aren’t the only people getting a little more than slightly excited for this new attraction. The official 15th Anniversary Blog has been treated with constant and regular updates lately, giving lots of glimpses into the creation of the anniversary events. Along with a short video interview with Imagineer Beth Clapperton, they presented two high-quality pieces of concept art showing the finalised turtle shells:

Even better than all that, they wrote a piece of text that could have been posted right here on DLRP Today – such is the total bias toward Disneyland Resort Paris…

“This was long, painstaking work that kept the Disney teams busy for months (they took their time, but in the end, you all know the story about the hare and the tortoise and who wins the race…). And winning the race is exactly what these tortoiseshells are waiting to do at this world exclusive at Disneyland! Especially for us Europeans!

“Of course, you already know about The Seas with Nemo and Friends in Florida, but this was only a show with video projections, a stroll through a giant aquarium. And there was Turtle Talk with Crush in Florida and in California (an interactive film in which the tortoise speaks directly to the children). And these are great, but the real ride is reserved just for us… And we deserve it!

It’s not everyday you see a Disney resort openly slating the attractions of its partners, but then it’s not everyday Paris completely and utterly trumps the other resorts in its offering. (See the bias there?!)

Like kids in a playground, Paris has all the newest toys this year, and the world is starting to notice. The magazine of LaughingPlace.com – Tales from the Laughing Place – finally shipped its latest issue recently, featuring four pages dedicated to Toon Studio and two more recent pieces of concept art (below).

The article confirms that the musical score of the attraction will be orchestrated by Ed Kalnins under the direction of Thomas Newman (who wrote the original film’s score). This will be Ed’s third Nemo attraction soundtrack, following his work on translating the Oscar-nominated and Annie award-winning score for The Seas with Nemo & Friends and Disneyland’s Finding Nemo Submarine Voyage.

The second concept above, originally posted by our partner WDSFans.com, shows an updated version of the key concept featured on the Toon Studio construction walls. Along with new turtle shell vehicles and a more accurate Disney Studio 5, the entrance sign of the attraction is depicted as first envisaged. If word from the park today is any indication, though, this design actually didn’t make it from sketch to reality.

So there we go – a fun and well-themed dark ride station, a concealed coaster track, a brand new attraction score and the park’s very first animatronics, all in just a single article. No wonder DLRP are boasting about this one.

Sunday, 22nd April 2007

Radiator Springs’ first spinout

You might have noticed Cars Race Rally missing from yesterday’s article updating progress in the general Toon Studio area, for this is a ‘tea cups’-style attraction that simply knows no boundaries. Compare it to its cousins – The Whirlpool at Tokyo DisneySea and Francis’ Ladybug Boogie at Disney’s California Adventure – and you’re spinning out into a totally different world, no – universe, of Imagineering.

After more than 50 years and countless half-hearted attempts ranging from Flying Carpets to TriceraTop Spin it looks like Disney might finally have an update of a 1955 fairground-style classic to really knock the socks off of its Disneyland Park original.

The first positive is attention to detail, growing day by day and with a strong inspiration from the film, such as the ‘Leaning Tower of Tires’ at the Casa Della Tires storefront or the neon signage for ‘Flo’s V8 Café’ next to the boarding area canopy themed to that same gas station from the movie. Both were added at the very end of March, just in time for the invited press and VIPs given a tour of the area after their 1st April morning press conference.

Jump to 7th April and these photos from Kyoto on Disney Magic Interactive forum show how the area has developed further still. The first horizontal pieces and fixings for wires are being added to the telegraph/electicity pylons in the distance, whilst the huge metal frame attached to the Art of Disney Animation building now features a sweeping backdrop of Cadillac Range and the Radiator Cap rock formations, with a warm blue sky. In the second photo, a new corrugated steel shack construction can be seen at the corner of the Race Rally area, appearing on first glance to be an additional shelter for Cast Members watching over the ride.

The backdrop can be seen in full in the photo by Alain Littaye below. Notice that whilst it covers the entire Art of Disney Animation building from view when in front of Cars Race Rally, it does not reach entirely to the ground as the backdrop of Flying Carpets. Either this will be left as a hint to the “backstage” feel of this part of the queue, or even more scenery and/or planting is still to come.

The second photo, dated 14th April 2007 from Disneytheque.com, shows the clever way the Imagineers have solved problems of the ugly metal frame behind the 2D board, with extra pieces at either end to make it appear a real part of the Art of Disney Animation building. Whilst still unfinished, this section at the rear of the building also confirms that the building will actually retain a small part of its original yellow/cream colour scheme.

Next, the attention to detail continues with our first look at some of the highly-antipicated neon lights of this new attraction, many of which are now installed and already illuminated. Green neons give a glow to the edges of the Flo’s V8 Café Canopy, whilst others stretch up the yellow, tiled tower of the entrance building toward the large ‘Cars’ logo signage, the metal surround of which has been installed in recent days.

These photos taken over the blue construction walls highlight the amount of work still to be done, particularly to the exposed backstage of the queue line, though other areas are looking much more complete. For example, finished wood and wire mesh fences now border the entire area, a nice rustic touch for what used to be a very clean-cut Studio. The supports of the boarding area roof have been fully themed to their engine inspiration (can anyone name that part?), the ride control kiosk has its final colours, automatic boarding gates are in place and the entire ride area – including its pale red “desert” floor – also looks to be nearing completion.

The sheer level of detail here is quite bewildering, with so many props, locations and Route 66 touches from the film all being recreated in real life for the first time, like the spark plug lights of Flo’s V8 Café…

With the film as inspiration, the Imagineers have obviously sought to recreate absolutely as much as possible within their space and budget constraints. This is clearly seen in the line of storefronts that appear like an Imagineering masterclass in how to theme various types of false walls – the yellow tiles and Californian-styled details of Ramone’s, the faded brickwork of the second façade (not visible), the worn and weathered wooden front of Lizzie’s store and finally the Italian style of Luigi’s Casa Della Tires. All of it tied together with the line of telegraph poles and fun little details like the strings of lights from the Leaning Tower of Tires.

Whilst the telegraph poles have already been claimed by several of the resort’s feathered residents (smaller ones than Donald Duck, don’t worry), the Imagineers obviously took note from the ducks of Adventureland and the birds nest atop the Castle‘s highest spire, since, unlike the film, the Leaning Tower of Tires now features various styles of hubcaps to block the holes inside of its tower.

With so many different details to pour over, you almost forget about the ride itself, but it’s certainly there and looks to be one of Disney’s cleverest fairground-style designs yet. Whilst spinning tea cups and “boogying” ladybugs are in a total land of fantasy, there’s something quite real and convincing about seeing these Pixar-designed cars spinning “out of control” on their figure-of-eight course. With less than a month to the official handover to its operators, the very first tests of Studios’ new race rally have begun!


Click here to see the video on DLRPN.com

It was also confirmed recently that one of the songs to be used whilst the ride is in motion will be ‘Life is a Highway’ by Rascal Flatts. Nothing has been confirmed yet about other area music, such as if the queue here will use the general Toon Studio loop as Flying Carpets Over Agrabah does.

If the film was all about taking time out from the daily rush to enjoy life and everything that surrounds us, the attraction looks like the perfect place to do just that.

Photos 3 & 4 by Kyoto on Disney Magic Interactive forum; Photos 5, 7 & 8 by Alain Littaye’s ‘Disney & More’ blog; Photos 6, 9 & 10 by Disneytheque.com. More can be found at all of these sources. Videocaps from video by DLRPN.com.

Saturday, 21st April 2007

The Toon Effect – More colour, more character

So what exactly does a second gate need? Let’s say… immersive themeing, its own character, attractions to rival those next door and enough to keep you busy for at least a day. Step into Animation Courtyard right now, and the Toon Studio project fills the entire area as if ticking these boxes piece-by-piece around the land.

The entire park is suddenly receiving a huge amount of interest from Walt Disney Imagineering, arguably more than any other Disney Park in the world. When you consider the four new attractions and two completely transformed theme areas they’re working on, it’s good to know that finally, after five years, Walt Disney Studios Park is getting more spells from the Sorcerer’s Apprentice wand than anywhere else.

Of course, much of the improvement (including the recently installed Toon Town backdrop) is still behind fences…

…But no-one can argue now that there’s a definite “buzz” about this second gate – especially not if you’re enjoying the Studios at the same time as countless construction workers…

This video features footage of the hills for the new Toon Town backdrop being lowered into place, with the briefly-presented new area music loop we mentioned in the previous Toon Studio update in the background – first a piano waltz of ‘Someday My Prince Will Come’, then an instrumental track from ‘The Rescuers’. The backdrop serves to not only place Toon Studio within its Toon Town location and cover the ImagiNations Costuming building behind, but also provide new locations for character meet ‘n’ greets along its bordering wall.

So that’s good, that’s it, the area is done. No, not by half – the old Walt Disney Studios Park might have stopped with a wall, but this Studio – for perhaps the first time – has a real trick up its sleeve…

This exciting brand new concept art was first posted by La Rouquine on Disney Central Plaza forum, and shows the expected Toon Town backdrop with its wall and studio entrance gate. A surprise addition, though, is the studio security booth. It was featured on the new map unveiled on 1st April, but with the area still under construction its presence in the final design was questionable – especially with this park’s history.

The wall, gate and archway are all distinctly more “toon” inspired than originally expected from earlier concepts, adding a huge boost of “character” to the Studios. It’s also fun to see that an idea from the very first Toon Studio concept has reappeared (and made it to reality) just in time – the “shooting schedule” board, which appears to give the times for character meets as well as details of the other productions (Crush’s Coaster, Cars, etc) currently filming.

Add it all together with details like the wavy yellow line along the middle of the street, the twisted blue toon lampposts and lots of new planting around this entrance square… and the Toon-y reality of this project is a stunning sight…

Simply a million miles from anything else at Walt Disney Studios Park, the area already exudes a fun, colourful atmosphere in these photos by Alain Littaye. Large planters hide pathways, details are everywhere and – in what could be a groundbreaking first for Imagineering – the reality actually looks more impressive than their original concepts. With Crush’s Coaster, Cars Race Rally and the new Toon Studio entrance area, this is three detail-rich areas in one relatively small space. Yet, thanks to the magic of the movies, it works.

Strangely, the “Toon Studio” lettering on the entrance arch currently faces inward, whilst on the concept – and according to logic – it should face outside of the studio, to the street where Goofy can be seen driving into the distance. An original idea here was for a food retail cart themed to “Goofy’s Catering Co.”, with the back end of the vehicle smashed into the wall. According to the latest word – and indeed to the new park map illustration, this theme is no longer planned.

Some details are still on their way, though, such as the 3D “Toon Town” lettering itself and several lights to fill the holes in the wall, like those seen on the concept above. Beyond this, the area will of course feature some brand new character locations. Mickey Mouse and The Incredibles have been shown in all recent concepts, but Ratatouille is the only confirmed taker for a spot in the new area, due to arrive in-person (or rather in-rodent-form) from 16th June 2007.

The photo above, by Scrooge on Disney Magic Interactive forum, shows the placement of the backdrop and security booth in relation to the rest of the new area, nestled in the corner next to Crush’s Coaster. The large bushes in front of this square, hiding it from guests passing by on “Route 66” outside Cars, can also be clearly spotted.

More hidden “weenies”, as they’re called in Imagineering terminology (like weenies in the distance drawing guests toward them) can be found a little closer to the current Animation Courtyard area. MagicMouse on Disney Central Plaza forum snapped the following photo over the fences a few weeks ago, giving an amazing angle on the new Studio 5. Picture Walt Disney Studios as you remember it, then take a look at this – the “Toon Effect” at its best…

The photo also shows details such as the green metal lamps attached to the dark wooden poles in the area, the blue fence surrounding the Animation Courtyard side of Cars and the light wooden supports for the future Crush’s Coaster entrance sign, which was recently revealed by WDSFans.com in an updated piece of concept art.

The effects of the project haven’t just been felt in the new area either. Finally, some major changes to the existing Animation Courtyard have been completed, such as Animagique‘s new blue colour scheme and the new flooring pattern. Interestingly, the flooring directly in front of and surrounding Animagique has yet to be completed, despite this area being re-opened to the public. Concepts and even the new park map have shown new planters and flowers here on the unused overflow queue area, so this could indeed be a possibility for the future.

One thing that’s certain – blue is without doubt still the “in” colour for Toon design. Even the wall bordering this part of the land is ready to receive a coat, just like the extended wall leading up to Crush’s Coaster has. One notable absence of blue, though, is on the new railings surrounding the trees added way back in October. Not only has the railing taken over six months to arrive, but it features exactly the same pale green colour and style as the others around Disney Bros. Plaza – hardly giving an exciting entrance to the wonders of the “Toon Effect” that lie beyond…

And so here we are – less than one month to go until Crush’s Coaster and Cars Race Rally are officially handed over from Walt Disney Imagineering to Euro Disney SCA for final operations tests. With the entire area expected to be complete by 9th June, this leaves exactly seven weeks for the Toons (and their Imagineers) to complete the transformation. They’ve come a long way already, but with an entrance statue to install, a Sorcerer Hat to decorate, flooring to finish and a whole new area to polish off, Mickey had better get working that magic wand…

Latest photos with thanks to Alain Littaye’s ‘Disney & More’ blog, Scrooge on Disney Magic Interactive forum, Mousy.be and Photos Magiques.

Saturday, 14th April 2007

(Video) Flying Carpets over Toon Studio

The life of a Disneyland Resort Paris fan. For the past year, one attraction has become a firm favourite, a must-ride, an unmissable part of every visit – Flying Carpets Over Agrabah!! With the end in sight on the entire Toon Studio project (Walt Disney Imagineering must officially hand over the new attractions to Euro Disney SCA from mid-May), the end could also be in sight for this attraction’s newfound popularity with fans. When you can walk right up to Cars Race Rally, there’s not much need to crane your neck and desperately click away on your camera’s shutter, as your flying carpet swirls around and you begin to regret that ‘Magic Cheeseburger’ from Restaurant En Coulisse.

Heading toward Flying Carpets, there are new things to see and changes to be noticed even before you reach the Genie’s green room, such as the new checkerboard flooring (which still doesn’t seem quite right)…

Or maybe the new lights targeted toward Crush’s outdoor set. Far smaller than the huge lighting rigs on original concepts, these sleek, dark green lights will help illuminate the fresque at night with an undersea glow. Across the courtyard, Animagique is still getting some desperately-needed care and – of course – a new blue colour scheme.

And now, here we are – Flying Carpets Over Agrabah! Ready to go “on set”? We’re not the actors today, we’re the cameramen! Lens focused, shutter finger ready, ready to get your Carpet up high as fast as possible? Here we go…

Full height and our first photo. With just weeks to go, it’s a relief to see work has progressed with incredible speed. Over at Cars Race Rally, you can see the metal frame of the new Flying Carpets-style backdrop, new filmset lights lined up along the turquoise boarding canopy, the “Leaning Tower of Tires” at Luigi’s Casa Della Tires, the Flo’s V8 Café sign awaiting its neons and the dark and dirty wooden storefront of Lizzie’s Radiator Springs Curios. The thick oasis of palm trees block much of the Crush’s Coaster area now, but you can at least see the second tall, green lighting rig and silver queue line railings matching those in front of Flying Carpets.

The general Toon Studio area of course has its recognisable blue twisted lampposts along with new planters marked out, a yellow wall, a grand entrance gate (on the right) and a growing Toon Town backdrop.

On the next swirl of the flying carpet, we look instead to the old Animation Courtyard area and its huge collection of fences. In front of Animagique, a change in the checkerboard pattern can be noticed, creating a zig-zag “sunburst” effect radiating out of the circular edge of the Studio 3 waiting area. It remains to be seen if new planters will be added here, as in several of the early concepts.

Since the canopy and fabric walls of the Arabian viewing platoform have yet to be replaced after the frame was painted purple, a view across to the new attractions is actually a little easier than before. On a close zoom below, you can see not only part of the completed Casa Della Tires storefront but also new lighting attached to the dark wooden poles in front of Crush’s Coaster. Similar, but smaller, blue lights can be seen on metal poles near Cars.

And with that, the Genie has his scene and the ride is over! But now, you can experience the “making of” so many construction updates in the past year with what is perhaps the first video construction update from onboard the Carpets – with all the frantic zooming and twisting to desperately capture a few clear shots. Flying Carpets Over Agrabah will never be the same come June 9th…


Flying Carpets over Toon Studio + Walkaround Tour
Presented in Widescreen Fan-o-Vision
Video by DLRP Today

The video also includes a walk-around tour of Animation Courtyard on 1st April 2007, showing the exact progress of the new and remade land on the first official day of the Anniversary festivities that will launch its new attractions come June.

Listen out in the background, too – hear something different? Yes, that’s the new Toon Studio area loop! A mix of more jazzy music with some laidback piano and lounge, the loop also finally features a selection from Fantasia and Fantasia 2000 along with favourites such as The Jungle Book, Beauty and the Beast and The Aristocats. More diverse music choices in the mix include The Rescuers and a jazz version of Walt Disney World’s Spectromagic theme! Unlike the old loop, the film scores aren’t always taken directly from their original soundtracks, either – many of the songs are alternate, instrumental versions in a slightly quirky “lounge” style. Some, such as The Aristocats, even appear to be taken from old entertainment productions such as ‘Disney Classics: The Music and the Magic’. The loop first appeared around 30th March, replacing the old, more orchestral loop which was ported over directly from Disney-MGM Studios Florida’s Animation Courtyard. If you’d like to hear more, though, it looks (or sounds) like you’ll have to wait until June – member Kinoo on MagicForum reports the loop has reverted back to the original after these first trials.

Of course, Flying Carpets Over Agrabah isn’t the only angle for Toon Studio updates. As the two attractions have grown above the construction fences, their presence in the land – and across the park – is unmissable, particularly the bright turquoise roof of Flo’s V8 Café, or the round, tiled entrance to the ride itself, seen below receiving some extra touch-ups to its impressive detail and weathering. It’s obvious that, with the June opening of the new area, Walt Disney Studios will suddenly have a huge amount of new icons and detail – not to mention some real themed areas to escape into.

Another angle available thanks to the current construction fence set-up is to try to look as inconspicuous as possible, place your camera on the floor and quickly snap the shutter. From here, we can see some new blue railings around the Cars Race Rally area next to Art of Disney Animation, not to mention a better look at the work going into themeing the canopy of Flo’s V8 Café beyond. In the second photo, paintwork, railings and even posters can be seen in the queue area – a full-zoom revealing the poster advertises Ramone’s House of Body Art, upon which the circular entrance building is based.

Whether you’re a fan or a casual visitor, the impact of Toon Studio on the park – its buildings, its themeing, its icons – is finally starting to be seen from all angles.

Monday, 9th April 2007

Press Release & Concepts: 15th grows with new attractions

Gathered in the Hotel New York convention centre, the press were told that “the celebration doesn’t end here!” as the resort proudly announced it’s ‘Phase 2’ of the 15th Anniversary, leading from the June debut of Toon Studio right up to Stitch Encounter in early 2008.

On the proud occasion for this new, more confident Disney resort, a special press release was prepared, detailing the new attractions and providing new insight and comment from Walt Disney Imagineers working the various projects. The release is presented exclusively in full here:

Disneyland Resort Paris 15th Anniversary Celebration Grows
As Walt Disney Studios Park Adds Attractions, Entertainment

MARNE-LA-VALLÉE, France (April 1, 2007) – Disneyland Resort Paris continues the 15th Anniversary Celebration with the announcement of even more attractions debuting at Walt Disney Studios Park in the coming year, marking the largest expansion in the last five years for Europe’s No. 1 holiday destination.

“Walt Disney once said ‘Disneyland will always be building and growing and adding new things.’ And in that spirit, we continue to take his mission to heart by designing, developing and creating new experiences that will make our Resort unique, memorable and, most important of all magical,” said Karl L. Holz, chairman and chief executive officer of Euro Disney S.A.S. “We’ve come a long way, and we haven’t finished yet.”

Among projects that are part of the yearlong celebration:

Walt Disney Studios Park Expands
With Toon Studio, 3 New Attractions

Walt Disney Studios Park grows with the June debut of Crush’s Coaster and Cars Race Rally as part of the new Toon Studio. This colorful area transforms the Park’s Animation Courtyard into a lively “studio backlot” that playfully pays tribute to the art of animation.

Crush’s Coaster is the first coaster-based attraction inspired by the Disney-Pixar film “Finding Nemo”. Guests climbs aboard a turtle shell and plunge into the thrilling world of Nemo and his turtle friend Crush, with sophisticated show lighting, sound effects and imaging technology creating a whimsical whirl through the East Australian current.

“Disney has always been known for creative storytelling, and Crush’s Coaster takes immersive storytelling to the next level,” said Tom Fitzgerald, executive vice president and senior creative executive, Walt Disney Imagineering. “Imagineers are pushing the boundaries of technology to bring the worlds and characters of ‘Finding Nemo’ to life in incredible, three-dimensional ways.”

Also premiering in June is Cars Race Rally, the first Disney Park attraction based on the Disney-Pixar film “Cars”. Guests of all ages climb aboard for a zany spinning ride on the famous Route 66, created with dimensional movie sets. At each corner of the track, famous faces from the film are waiting to cheer on drivers. As the rocky desert landscape whizzes past and the canyon walls spiral around, your car crosses the finish line.

A third attraction debuts in early 2008 on the Park’s new Hollywood Boulevard — the Twilight Zone Tower of Terror, towering 183 feet. Thr thrill ride will dare guests to board a hotel freight elevator — with a faster-than-the-speed-of-gravity drop through 13 floors. Tower of Terror, already a hit at Walt Disney World Resort, Disneyland and Tokyo Disneyland, is one of Disney’s most popular attractions worldwide.

“Hollywood Boulevard is a great example of infusing our story into the physical space through a 1950s Hollywood neighbourhood with dimensional movie sets, color and lighting,” said Fitzgerald.

More Interactive Fun — ‘High School Musical On Tour,’
‘Meet The Robinsons,’ ‘Ratatouille’ Meet ‘n’ Greets

The hottest dance moves and the biggest hit songs from one of the Disney Channel’s most popular entainment phenomenon come to life in “High School Musical On Tour,” a new immersive show for the whole family at Walt Disney Studios Park.

Debuting on a rolling outdoor stage June 16 and performing through Aug. 26, a multi-talented team of entertainers brings the students of East High to France for summer vacation, re-creating the world of East High, a place where best friends break into elaborate musical numbers like magic. Theme Park guests may even find themselves shooting basketball or joining in as the whole street turns into a party while great songs fill the air.

Performed in several languages, it’s a showcase of sing-a-long fun that will invite all ages to be part of a new kind of live entertainment inspired by the highest-rates TV movie in Disney history.

Also this summer at Walt Disney Studios Park, guests can meet the characters from the newest animated Disney-Pixar film. Beginning June 16 in Toon Studio, meet the starts of Disney-Pixar’s upcoming animated feature “Ratatouille”: Rémy, an adorable rat who dreams of becoming a great French chef, and Emile, his roguish friend. And this fall in Toon Studio, meet 12-year-old boy genius Lewis Robinson and the mysterious boy named Wilbur Robinson who whisks him away to the future in the comedic “Meet the Robinsons.”

‘Living Characters’ Debut with Stitch Attraction

Utilizing the latest real-life computer graphics animation technology created by Walt Disney Imagineering, a new interactive Stitch Attraction opens in spring 2008 at Walt Disney Studios Park. The attraction lets guests talk, listen, joke and play with the fuzzy, lovable alien first introduced to audiences in Walt Disney Pictures’ hit comedy, “Lilo & Sttich.”

Because of the interactivity and immersion of this new experience, the guests are the ‘stars’ of the production along with Stitch himself,” said Tom Fitzgerald, executive vice president and senior creative executive, Walt Disney Imagineering.

As Guests enter the theater, a Space Traffic Controller scans a galactic communications screen for “active” alien traffic. Stitch is quickly summoned to talk, joke and even flirt, engaging the audience in spontaneous conversation. The show is never the same twice — whether Stitch plays his guitar, dances around the bridge of the spaceship or takes digital photographs of audience members. And no matter where guests are seated, Stitch sees and engages them in non-stop banter.

“It’s the latest milestone in Walt Disney Imagineering’s legacy of bringing Disney characters to life,” said Fitzgerald.

All-New Live Entertainment in Disneyland Park

In Disneyland Park, Mickey Mouse and dozens of Disney characters star in the all-new Disney’s Once Upon a Dream Parade, featuring famous dream moments from Disney stories, and for the first time ever, the floats have fragrances that fill the air, matching the themes of each float. Also for the first time, most of the floats have two themes, one on the front and one on the back.

Music is orchestrated and conducted by noted musician Steve Sidwell, who also wrote the music for films including “Moulin Rouge,” “Bridget Jones’ Diary” and “Finding Nemo,” and was recorded by the Royal Philharmonic Orchestra in London.

There are even more opportunities to meet classic Disney characters, including the new Disney Characters’ Express, a specially-designed train that carries the stars down Main Street U.S.A. several times daily. Their musical adventure includes time to meet and greet with guests in front of Sleeping Beauty Castle and at special locations added just for the celebration.

And each evening, the park will come to life during Candleabration on the forecourt stage, featuring Mickey Mouse, Minnie Mouse and friends in a lively song-and-dance finale with the backdrop of Sleeping Beauty Castle, artfully adorned with delicate sculptures of 15 favorite Disney Characters with shining birthday candles decorating the turrets.

—– End Release —–

The new additions weren’t just previewed with words. Press were treated not only to a special preview performance of the new ‘High School Musical On Tour‘ show, but also to a glimpse at two brand new pieces of concept art, captured and presented to the ‘outside world’ for the first time by our partner site WDSfans.com.

The first is a key concept for the new ‘Hollywood Boulevard’ project, showing our own Twilight Zone Tower of Terror surrounded by 1950s Hollywood city buildings, littered with neons, billboards and seating and towering high above the streets below.

Anyone following the project from its first preview at the January Cast Member rendez-vous event may recognise that this is actually one of two concepts designed for the area. As we heard from the Cast Member event, this ‘Bank of Hollywood’ street set development was not the chosen design – the design will instead be more “pueblo deco” and “mediterranean” as the Tower itself, as seen on the new park map.

The new Hollywood Hills tunnel entrance to Studio Tram Tour is also missing, though the concept does certainly give an exciting and atmospheric look at the theme and surprising size of the project – and of course, finally, our first real look at a dedicated concept art created just for this project.

It’s interesting to note also that Imagineers are describing this as a “1950s Hollywood Boulevard”, meaning that, at the time this fictional “film shoot” is set, The Hollywood Tower Hotel would already have been closed for over 10 years (since 1939).

Finally, another concept art – and again, the first one we’ve seen for this particular project. Showing Stitch’s invasion of the current Walt Disney Television Studios building, this concept for Stitch Encounter shows the building decorated with a new, more blue and purple, colour scheme, along with a huge entrance sign featuring the loveable alien himself. A satellite dish is featured atop the current tower, looking like something straight out of Buzz Lightyear Laser Blast.

A new, circular information board is also featured in front of the attraction, displaying times listings for both French and English performances and matching the Art Deco design of the building itself. The Imagineers working on the new transformation must be relieved that the slight whimsy and futuristic look of the Art Deco building already lends it quite an “outer space” style.

Interestingly, the Disney Channel branding appears to have remained – both on the huge projection screen embedded into the building and atop the new times board. Also of note is that whilst the concept shows a ‘Stitch Encounter’ entrance sign similar to the original attraction in Hong Kong Disneyland, the press release simply states ‘Stitch Attraction’, suggesting the final name has yet to be decided.

With all this announced and released just one day after the launch events and premieres for the 15th Anniversary, it all adds up to a huge range of new additions – bigger, perhaps, than the 50th Anniversary of dear old Disneyland USA itself.

Karl Holz said it perfectly – “We’ve come a long way, and we haven’t finished yet.”

Concept art © Disney; Captured exclusively by WDSfans.com

Monday, 9th April 2007

Park Maps join the party, reveal secrets

Guests stepping into one of two Disney Parks at Disneyland Resort Paris on 1st April 2007 were met with a nice early-morning surprise. No, not just the surprise that the previous day’s cloudy, rainy weather had changed quite magically to a beautiful blue sky the moment the press premieres ended…

…But also, a new design for the Park Guide maps and entertainment programmes! Gone is Jiminy Cricket’s guiding presence on the cover and in comes the golden “15” surrounded by characters and their candles, the first redesign of the new-style park maps and programmes since their launch on 7th October 2006.

The biggest change at first glance is without doubt to the Disneyland Park guide, which now sports a flashy gold colour rather than its usual pink, interesting since the anniversary is “only” a fifteenth, rather than, say, a fiftieth.

Both guides have also been scattered with confetti and streamers inside and out, though as you can see here Disneyland Park currently has a far larger ’15’ on its cover than Walt Disney Studios Park – you know, just incase you missed the anniversary number on the banners, Castle, parades, Central Plaza stage, Panoramagique balloon and throughout all of the boutiques! The size could also be symbolise that, right now during the “first phase” of the anniversary celebrations, Disneyland Park has the majority – if not all – of the events.

Inside, the old ‘Wishes’ illustration of Jiminy has been replaced by a 15th Anniversary version, but he still most certainly gives his guiding tips for a good day out. As for the maps themselves, Disneyland Park now features a special 15th Anniversary corner box listing the main events, with ‘A’ and ‘B’ symbols on the map showing locations.

For Walt Disney Studios Park… watch out!! That’s the moment we walk slam into the Partners Statue whilst staring, shocked, at the map… which seems more than a little familiar. Yes, it seems the “work-in-progress” edition we picked apart in great detail (albeit in lower quality) wasn’t quite so work-in-progress afterall – at least for now. As an exciting teaser of what’s still to come during the anniversary year, the map design has switched to an early design of the 2008 park – featuring Crush’s Coaster, Cars Race Rally and The Twilight Zone Tower of Terror, along with the additions of the Toon and Hollywood projects.

The three major new attractions (Stitch Encounter not included, since Walt Disney Television Studios is still currently operating) are even marked on the key for their respective lands, with opening dates listed as “June 2007” and “Early 2008” respectively. Whilst Crush’s Coaster is already listed as having height and physical restrictions (though exact height isn’t given), the restrictions for The Twilight Zone Tower of Terror are not currently listed at all.

The map clearly is still a “work-in-progress”, the new Studio Tram Tour backdrop not correctly aligned and the street sets in front of it not featuring their final, expected design. Animation Courtyard and Production Courtyard are also missing all of their planters, giving the impression, bizarrely for a park map, of a far bleaker landscape than in reality.

But, for now, it provides a surprise glimpse into the future for all those thousands – if not millions – of guests who will wander across to the Studios after tiring of the party at Disneyland Park. It will also likely help as an apology and reasoning for any guests shocked at the current state of the park, filled with construction walls. Though now until June at least, Cast Members will be answering, on a daily basis, “how do I get to Crush’s Coaster?!”.

It’s worth also pointing out that even though the map still lists ‘Animation Courtyard’, the new Sorcerer Mickey statue clearly has the words ‘Toon Studio’ beneath, and that the map is valid only until 31st May 2007. From 1st June 2007, then, the land should officially be renamed.

Finally, the Programme guides, formerly known as the ‘Entertainment Programme’, have also been updated with the new 15th Anniversary branding – along with the first times and details for all the anniversary events currently bringing the parks to life.

Photos/scans by DLRP Today – maps © Disney.

Wednesday, 28th March 2007

Toon Town drops in & more

Toon Town in Paris comes not in the form of a real land but instead in the form of a giant backdrop, most of which was lowered into place and positioned piece-by-piece yesterday on the metal framework we mentioned in the last Toon Studio update.

Matching almost exactly the illustration seen recently on the work-in-progress 2008 map, the backdrop features a series of colourful, exaggerated buildings nestled behind the Toon Studio wall and surrounded by the Toon Town hills. As a worker lowers a section of the purple building into place, the true scale of the backdrop can finally be seen.

Of course, you’ll still be able to walk around in Toon Town, since Toon Studio is technically a movie studio located within the fictional town. With this in mind, more and more Toon touches are now making their way to the land. Whilst the entrance area with its Fantasia styles is a more serious look at the art of animation, Toon studio bears all the quirks and fun of a madcap movie studio run by the animated stars themselves.

Recently installed, seen above, are some bendy and twisted lampposts in blue and yellow, filling the area reserved for character locations and bordered by the wall which has now taken on a classic WDS shade of yellow. The work-in-progress map also showed a yellow and blue security booth in this area, where the (faux) main entrance gate is located.

Elsewhere in Toon Studio, progress can be seen all around. From Flying Carpets Over Agrabah, the queue of Crush’s Coaster is surrounded by palms and planting, though you can probably still spot the new lamps also installed here recently – and perhaps the new backstage gatepost added onto the wall bordering the Genie’s film set.

In front of the film set, the recent three-week refurbishment brought not only a general cleap-up but also new changes to the Agrabah Oasis planters, first unveiled in January. The deep red railings have now been painted silver, whilst the planters have finally been covered in sand for an authentic Arabian feel. The lookout platform next to the attraction, closed for almost a year now, has also been repainted from blue to a light purple, blending well with the blue of Crush and the green railings of Flying Carpets (photo here).

The biggest news from the reopening of Flying Carpets, though, is that guests now have the exciting opportunity to walk on the brand new flooring of Animation Courtyard. Whilst not currently what many might have expected for the land, particularly its colour, the different levels of shading from the granite tiles and asphalt mixed with the lines and strong geometric shapes do hint quite nicely back to the art of animation itself. Was this intentional? Who knows!

The Photos Magiques camera also captured a group of Imagineers with some of the construction crew inspecting the new floor, which does certainly succeed in breaking up the vast mid-section of the land and lending the area a more “courtyard” feel – ironically enough when the “Courtyard” name is about to be dropped.

And we’re not done yet… what about Animagique? Covered in scaffolding for a repaint earlier this month, the entire front wall of the building now sports the trademark shade of Toon Studio blue, whilst the large number 3 has been repainted to the same style as the new Studio 5 (Crush’s Coaster)… but not replaced. Studio 5 uses “Walt Disney Script” for its number, whilst Studio 3 will, for now, remain in its original “Impact”-style typeface. No changes have yet been made to the rest of the attraction building.

Finally, we end with an excellent overview of the entire placemaking project from Flying Carpets Over Agrabah, clearly showing the current position of all the construction fences. Yellow “Hollywood Studio” fences have captured the entrance and Sorcerer Hat of Art of Disney Animation this week, as the new flooring expands and more placemaking work begins. For a very short time, guests must enter the attraction by walking towards Studio Tram Tour and then doubling back through the attraction’s outside queue area, behind the current Hollywood Boulevard works.

So there we have it – Toon Town has arrived, a whole new floor is laid and endless new tweaks and enhancements continue to appear. Those Toons sure know how to get their way…

All photos by Photos Magiques. You can see the whole lot here.

Wednesday, 28th March 2007

Radiator Springs becomes reality

One of the most unmissable new sights from Animation Courtyard for many weeks now has been the bright, turquoise gas station canopy of Flo’s V8 Café. Now with a full roof and a clean, modern finish, the canopy has, since our last update, also received some new decor on top, matching exactly that of both the film and the concept art. The spark plugs are mounted on enlarged bolts since, like the film, certain elements of the sets are based on the parts of a car.

The bolts have been given a weathered paint job transitioning from steel grey to a dirty brown, whilst wires can be seen in place all over the spark plugs. Just like the CGI film, neon lights will zig-zag up each spark plug before forming a zig-zag star burst around the top of the plug.

Next door, the part of the building where guests will enter the queue, roughly based on Ramone’s House of Body Art (which is itself based on the U-Drop Inn in Shamrock, Texas), has now taken its final colour and a similar amount of the Imagineer’s trademark weathing treatment. An incredible reproduction, at least from the angle visible so far, of both the location in the film and the real-life inspiration, the accuracy will no doubt help greatly to make sure guests feel as if they’re on a real movie set for the CGI film.

But what do all good movie sets need? A backdrop! Be it a sandy Agrabah or a colourful Toon Town, the Imagineers of Toon Studio already realise how a good backdrop can create an enveloping themed area in a relatively tiny space. Next on the list – Cars Race Rally! Already to be seen rising in the first photo above is the impressive steel frame for this huge new backdrop, due to rise far higher than the buildings themselves to truly reinforce both the grand feeling of Route 66’s scenery and the canyon theme of the ride platform area.

Hiding in the background of various pieces of concept art since the ride’s announcement, the backdrop will be inspired by the film’s Cadillac Range, a series of jagged rocks atop a canyon wall.

Here’s a fun fact – did you know, this is also based on a real-life Route 66 location? No, not an impressive canyon, but instead a piece of public art called Cadillac Ranch near Amarillo, where passers-by can see a series of cadillacs cut in half, jutting out of the arid desert landscape. The owners even invite visitors to graffiti the vehicles, meaning their appearance has changed quite a few times in their life. Hopefully guests at Walt Disney Studios won’t be invited to do the same…

From reality, to CGI, to reality – only Disney-Pixar do it this way!

Photos 1-3 by Photos Magiques. You can see even more here.
Photo 4 from Route 66 News blog.

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