The life of a Disneyland Resort Paris fan. For the past year, one attraction has become a firm favourite, a must-ride, an unmissable part of every visit – Flying Carpets Over Agrabah!! With the end in sight on the entire Toon Studio project (Walt Disney Imagineering must officially hand over the new attractions to Euro Disney SCA from mid-May), the end could also be in sight for this attraction’s newfound popularity with fans. When you can walk right up to Cars Race Rally, there’s not much need to crane your neck and desperately click away on your camera’s shutter, as your flying carpet swirls around and you begin to regret that ‘Magic Cheeseburger’ from Restaurant En Coulisse.
Heading toward Flying Carpets, there are new things to see and changes to be noticed even before you reach the Genie’s green room, such as the new checkerboard flooring (which still doesn’t seem quite right)…
Or maybe the new lights targeted toward Crush’s outdoor set. Far smaller than the huge lighting rigs on original concepts, these sleek, dark green lights will help illuminate the fresque at night with an undersea glow. Across the courtyard, Animagique is still getting some desperately-needed care and – of course – a new blue colour scheme.
And now, here we are – Flying Carpets Over Agrabah! Ready to go “on set”? We’re not the actors today, we’re the cameramen! Lens focused, shutter finger ready, ready to get your Carpet up high as fast as possible? Here we go…
Full height and our first photo. With just weeks to go, it’s a relief to see work has progressed with incredible speed. Over at Cars Race Rally, you can see the metal frame of the new Flying Carpets-style backdrop, new filmset lights lined up along the turquoise boarding canopy, the “Leaning Tower of Tires” at Luigi’s Casa Della Tires, the Flo’s V8 Café sign awaiting its neons and the dark and dirty wooden storefront of Lizzie’s Radiator Springs Curios. The thick oasis of palm trees block much of the Crush’s Coaster area now, but you can at least see the second tall, green lighting rig and silver queue line railings matching those in front of Flying Carpets.
The general Toon Studio area of course has its recognisable blue twisted lampposts along with new planters marked out, a yellow wall, a grand entrance gate (on the right) and a growing Toon Town backdrop.
On the next swirl of the flying carpet, we look instead to the old Animation Courtyard area and its huge collection of fences. In front of Animagique, a change in the checkerboard pattern can be noticed, creating a zig-zag “sunburst” effect radiating out of the circular edge of the Studio 3 waiting area. It remains to be seen if new planters will be added here, as in several of the early concepts.
Since the canopy and fabric walls of the Arabian viewing platoform have yet to be replaced after the frame was painted purple, a view across to the new attractions is actually a little easier than before. On a close zoom below, you can see not only part of the completed Casa Della Tires storefront but also new lighting attached to the dark wooden poles in front of Crush’s Coaster. Similar, but smaller, blue lights can be seen on metal poles near Cars.
And with that, the Genie has his scene and the ride is over! But now, you can experience the “making of” so many construction updates in the past year with what is perhaps the first video construction update from onboard the Carpets – with all the frantic zooming and twisting to desperately capture a few clear shots. Flying Carpets Over Agrabah will never be the same come June 9th…
Flying Carpets over Toon Studio + Walkaround Tour
Presented in Widescreen Fan-o-Vision
Video by DLRP Today
The video also includes a walk-around tour of Animation Courtyard on 1st April 2007, showing the exact progress of the new and remade land on the first official day of the Anniversary festivities that will launch its new attractions come June.
Listen out in the background, too – hear something different? Yes, that’s the new Toon Studio area loop! A mix of more jazzy music with some laidback piano and lounge, the loop also finally features a selection from Fantasia and Fantasia 2000 along with favourites such as The Jungle Book, Beauty and the Beast and The Aristocats. More diverse music choices in the mix include The Rescuers and a jazz version of Walt Disney World’s Spectromagic theme! Unlike the old loop, the film scores aren’t always taken directly from their original soundtracks, either – many of the songs are alternate, instrumental versions in a slightly quirky “lounge” style. Some, such as The Aristocats, even appear to be taken from old entertainment productions such as ‘Disney Classics: The Music and the Magic’. The loop first appeared around 30th March, replacing the old, more orchestral loop which was ported over directly from Disney-MGM Studios Florida’s Animation Courtyard. If you’d like to hear more, though, it looks (or sounds) like you’ll have to wait until June – member Kinoo on MagicForum reports the loop has reverted back to the original after these first trials.
Of course, Flying Carpets Over Agrabah isn’t the only angle for Toon Studio updates. As the two attractions have grown above the construction fences, their presence in the land – and across the park – is unmissable, particularly the bright turquoise roof of Flo’s V8 Café, or the round, tiled entrance to the ride itself, seen below receiving some extra touch-ups to its impressive detail and weathering. It’s obvious that, with the June opening of the new area, Walt Disney Studios will suddenly have a huge amount of new icons and detail – not to mention some real themed areas to escape into.
Another angle available thanks to the current construction fence set-up is to try to look as inconspicuous as possible, place your camera on the floor and quickly snap the shutter. From here, we can see some new blue railings around the Cars Race Rally area next to Art of Disney Animation, not to mention a better look at the work going into themeing the canopy of Flo’s V8 Café beyond. In the second photo, paintwork, railings and even posters can be seen in the queue area – a full-zoom revealing the poster advertises Ramone’s House of Body Art, upon which the circular entrance building is based.
Whether you’re a fan or a casual visitor, the impact of Toon Studio on the park – its buildings, its themeing, its icons – is finally starting to be seen from all angles.