News Disneyland Paris Updates & Features

Friday, 13th October 2006

Being Goofy needs to stop somewhere

The video was filmed last Christmas in the backstage area of Hotel New York, as the Cast Members waited to go “on stage” to perform as their respective characters. It was reported by two different daily national newspapers in the UK. First by The Sun, who sexed up the story with well-captured stills and sensationalised descriptive words in bold type. Later, the Daily Mail also caught on to the video, describing it as “smutty” and harking back to Walt Disney’s original vision for his characters, in the good old days.

Introductions to the varying styles of British tabloid journalism aside, even Reuters picked up the story later in the day, adding:

“The behavior shown on the video is unacceptable and inexcusable,” Disney said in a statement.
“The video was taken in the backstage area not accessible to guests. Appropriate action has been taken to deal with the cast members involved.”

As irresponsible as the behaviour was, whilst repesenting such iconic and respected characters, the fact that the event took place behind closed doors perhaps leaves only the cameraman as truly irresponsible. Admittedly, performers “larking around” backstage probably happens every day at Disney parks around the world, yet before now no one has found the need to film it and share it online.
Perhaps a better question here then is why, after already knowing about the video for several days, Disney has yet to use its legal muscle to have it removed. That’s what I call being Goofy.

Thursday, 12th October 2006

Pinocchio replaces Pooh for 15th castle!

On the visuals released by Disneyland Resort Paris in early July, the third spire of Le Château de la Belle au Bois Dormant was occupied by Winnie the Pooh, who was assumed to have floated to this position using the large purple balloon in his right hand. As a character to which Disney only own a license and not the full copyright, Winnie was never featured as one of the “spotlight” characters in these visuals, which are to be used by travel companies and the press next year as brochure covers and marketing material. Pinocchio however, despite not actually being featured on the castle itself, did receive two visuals, the daytime version of which can be seen below.

Now, over three months since we first presented the original visuals, there’s been a quick design change and update the Character Castle Makeover, with A.A. Milne’s “outsider” Winnie character being replaced by the “in-house” Pinocchio and Figaro. Every time Disney uses a character or creation from the world of the Hundred Acre Wood, they must credit the author at the same time, which would surely make presenting the original visuals much more complicated. And so, either as an easy option or for his newfound popularity with the resort (Pinochio is currently starring in both Halloween parades for the first time) Pinocchio and Figaro have pushed Winnie from the castle. Well, at least the Silly Old Bear had a balloon to float him gently back down to earth!

The new visuals also present another change, this time for every single character. Whilst in the original visuals the characters held fifteen bare wax candles, these new visuals show an extra dip into the 15th money pot, with new, stylised candles for each of the Disney classics. Whilst the wax now features a curling fringe all the way up to the flame, the biggest change is the addition of a shiny gold candle holder at the base, with a spiked end.

The updates also include the addition of spotlight visuals for the Disney VIPs, with Donald, Goofy, Minnie and Pluto now receiving their own, personalised images, giving us a closer look at the designs for their castle statues.

Whilst these visuals are, of course, simply for promotional purposes, the quick change of these two elements without doubt suggests a change for the decorations themselves, as designs are finalised for our spectacular 15th Anniversary year. A glance at these visuals gives an immediate feeling of quality and style for the celebrations. There’s no giant birthday cake or bright jester hats, for once Disney have produced castle decorations that are subtle, elegant and more than welcome.

You can find out more about the 15th Anniversary here, or see the full collection of original visuals here.

All visuals © Disney.

Tuesday, 10th October 2006

Everything’s peachy at the Studios

Starting as every budding starlet does, on the Place des Frères Lumières in Front Lot, the refurbishment of Walt Disney Studios Store is progressing well. A few weeks ago the huge boutique was repainted in a basecoat of grey, but now its trademark yellows are beginning to return and, so far, they seem a shade or two deeper than before. There also now appears to be more contrast and detail between the different areas of paint, with the arches in the side walls receiving a darker yellow to the pale edging. Repainting has also been going on outside the park gates, across the canopy of Studio Services.

Further into the park, at the Tower of Terror construction site, everything seems to be going, ehm, “peachy” with the installation of fabricated windows and window frames across the front of the tower, whilst scaffolding has grown up around both sides of the main showbuilding as more details are added. The concrete panels already in place on the back of the tower, to give more detail and relief to the design, are now making their way up the sides of the tower.

At the back of the tower, the peachy base coat has now been applied to almost all of the bare concrete, giving a slightly more pleasant look to the imposing construction. The lower concrete building at the back of the tower, housing the large power grid needed to operate the tower and its three high-power elevator shafts, has also been given the same basecoat along with extra art deco touches on its corners. Eventually, the entire Tower of Terror will gain a colour more akin to that seen in Front Lot above, although with a few extra scorch marks…

As for the opening of The Twilight Zone Tower of Terror, nothing at all has been confirmed. In fact, apart from the small billboard in front of the construction site, Disneyland Resort Paris seem to want to pretend it’s not even happening. Why for? Well, with even only a vague opening schedule rumoured, people are more likely to visit for Toon Studio in June 2007, rather than wait a little longer for the fully expanded Walt Disney Studios experience.

The theme of prolonging things has spread further recently, though, since current favourite rumours indicate previews of the attraction in late 2007 and a January 2008 official opening. This would mean the attraction won’t clash with the popular Halloween and Christmas seasons, nor will it’s opening come too early in the timeframe of the 15th Anniversary year. With a large number of people traditionally booking their Summer holidays in January each year, could they be booking themselves into a visit to the Hollywood Tower Hotel instead? It’s possible. But then, so could be an opening of January 2208 at this point…

Photos by Photos Magiques / WDS Fans.

Tuesday, 10th October 2006

Ghoulish figures start to wake!

The changes begin even before the parade itself, as the Pink Witches (added to the festival last year as a rival to the Orange Pumpkinmen) step onto the parade route at Town Square and make their way to Fantasyland, leaving a trail of mischief behind them. This new “pre-parade” uses the wacky “Boo To You” soundtrack from Walt Disney World’s Halloween celebrations, and shows a return to a more “complete” parade experience for the resort’s entertainment teams.

Once the parade begins, with the Pink Witches lined up at the opening gate, the changes continue throughout. The huge inflatable orange ball, which rolled along thanks to a walking parade performer inside, has obviously succumbed to the claws of Stitch. The Pumpkinmen’s orange paint well float from 2005 (also used as the Snow White float in Disney Princess Parade) is now a general orange paint float for the “fab 7”, with Mickey and Minnie no longer using their rustic horse-drawn wagon to begin the parade. Along with this, the scarecrow dance section has also been lost. The updated orange paint float features Stitch wearing a pumpkin mask in a paint pot at the centre, whilst the Pumpkinmen themselves are relegated to a dance section at the start of the parade.

The final change is the addition of some unlikely new faces to the parade’s character lineup. Not wicked Disney witches or gruesome bad guys, but instead a collection of some of Disney’s most innocent classic characters. With characters such as Peter Pan and Pinocchio, it seems clear the parade is now attempting to cater for more guests than simply those supporting the Villain’s devilish ways.

You can now find a full guide to this year’s parade at DLRP Magic!, or a full photo gallery direct from the magic at Photos Magiques.

Update 17:28 GMT: Photos Magiques have now uploaded a full video of this year’s Disney Villain Parade to YouTube, which can be found in 3 parts:

Part 1 | Part 2 | Part 3

Tuesday, 10th October 2006

Pin Trading October 2006 releases

As if the expected slew of Halloween pins wasn’t enough, this month also brings some new additions to the “cuties” range as well as a brand new design: the “message” pin. Add to these the Autumn 2006 pin, an expensive “jumbo” Lady and the Tramp pin and the first in a new “Walt Disney Studios Invasion” series, and Pin Traders should perhaps consider a hefty mortgage to get them through this frenzied month:

Saturday October 14th 2006

Jack Skellington Starter Kit (Lanyard plus 2 each of 2 pins)
Reference number 209411007000
Price 19.90 Euros

Cutie Pin: Chip & Dale
Reference number 209401006070
Price 6.00 Euros

Cutie Pin: Stitch
Reference number 209401006071
Price 6.00 Euros

Cutie Pin: Eeyore
Reference number 209401006072
Price 6.00 Euros

Cutie Pin: Winnie
Reference number 209401006073
Price 6.00 Euros

Cutie Pin: Tigger
Reference number 209401006074
Price 6.00 Euros

Cutie Pin: Piglet
Reference number 209401006075
Price 6.00 Euros

Message Pin: Eeyore
Reference number 209401006054
Price 6.00 Euros

Message Pin: Marie
Reference number 209401006055
Price 6.00 Euros

Message Pin: Thumper
Reference number 209401006056
Price 6.00 Euros

Message Pin: Stitch
Reference number 209401006057
Price 6.00 Euros

Message Pin: Chip & Dale
Reference number 209401006058
Price 6.00 Euros

Message Pin: Winnie
Reference number 209401006059
Price 6.00 Euros

Jumbo Pin: Lady and the Tramp
Reference number 209401006025
Limited edition x600
Price 39.00 Euros

Tinkerbell Autumn 2006 Season pin
Reference number 209401006053
Limited edition x1200
Price 10.50 Euros

Stitch Invasion #13 pin
Reference number 209401006062
Limited edition x1200
Price 10.50 Euros

Saturday October 21st 2006

WDS Invasion #1 pin
Reference number 209401007000
Limited edition x900
Price 10.50 Euros

Saturday October 28th 2006

Nightmare Before Christmas LE pin
Reference number 209401007010
Limited edition x900
Price 10.50 Euros

Stitch Chernabog LE pin
Reference number 209401007001
Limited edition x900
Price 10.50 Euros

Donald & Goofy Halloween LE pin
Reference number 209401007006
Limited edition x900
Price 10.50 Euros

Artworks of the pins should be available on the official Disneyland Resort Paris website, here, quite soon.

Sunday, 8th October 2006

Extra trees for Art of Disney Animation!

The trees are similar in style to those previously lining the fence where Cars Race Rally is now being constructed, with very long, thin branches and a box-like body. They’re similar even, perhaps, to those surrounding Le Château de la Belle au Bois Dormant, and give a very stylised and refined look to the future entrance of Toon Studio, matching the nature of animation itself.

Today’s image by cameraphone.

This area of blue fences was erected back in late August, with the only sign of construction over the past month being a large hole. Now though, we can see the true start of the original Animation Courtyard’s placemaking, as more greenery arrives and the lands of Walt Disney Studios are finally separated.

Update (13:36 GMT): raptor1982 also reports that he believes the same line of trees may have also been added behind the green construction fences, next to Disney Studio 1.

Saturday, 7th October 2006

Stitch’s -Walt Disney Studios- invasion!

The attraction in question is Stitch Encounter, an attraction which opened on 13th July 2006 at Hong Kong Disneyland’s Tomorrowland. It uses the same technology as Turtle Talk with Crush at Disney’s California Adventure and Epcot (a video of which can be seen here), which allows an audience to interact in real time with Stitch through a highly advanced computer animation system. After a question or respose from the audience, Stitch’s animation and (mostly alien) speech is then generated and selected by a hidden Cast Member.

The following quote from Wikipedia describes the Hong Kong attraction, which is presented in Cantonese, English and Putonghua:

Guests are invited to visit Space Traffic Control for a tour. Space Traffic Control (or STC) is the nerve center for this quadrant of the galaxy and where all space traffic is closely monitored. The tour goes as planned until the host is interrupted by Stitch, a fluffy blue mischievous alien known also as “Experiment Number 626” in a ‘borrowed’ space ship. Stitch interacts in real time with the guests, plays games with the kids and even teaches everyone how to speak Hawaiian. Ultimately, Stitch’s nemesis, Gantu shows up and wants his ship back. It is up to the guests in the audience to help Stitch escape! The show is a combination of action and comedy, and never the same show twice.

And the location of this new attraction for Walt Disney Studios Park? Not Toon Studio as you might guess, but instead the old Zapping Zone production stage of Walt Disney Televison Studios Tour, which has been occupied by an interactive Art Attack exhibit for the past two years. La Rouqine on Disney Central Plaza forum confirms the rumours, which originated with this forum post, by stating there will be 4 shows per hour, presented in French, English and Spanish. A budget of 5 million euros will apparently be required to complete the installation.
Largely criticised since its opening with the park on 16th March 2002, the Walt Disney Television Studios attraction quickly lost some of its excitement when the actual, live Disney Channel production stage for Zapping Zone closed in its first year of operation. In late 2002, however, the Disney Channel CyberSpace area opened, offering interactive computer arcade games and the popular CyberSpace Mountain, allowing guests to create their own simulated roller coaster ride.

With the opening of a second attraction-within-an-attraction at this location, it would seem possible the attraction will become similar to Disney Animation at Disney’s California Adventure or The Living Seas at Epcot, which both feature Turtle Talk with Crush in a free-roaming attraction experience, allowing guests to choose which section of the attraction they wish to experience. Currently, the Walt Disney Television Studios gives guests a very brief “tour” through the “backstage” of the Disney Channel before they are allowed to enter either the CyberSpace or Art Attack stages. It remains to be seen whether this tour section will still be included in the updated attraction.

Whilst only an “attraction-within-an-attraction”, though, Stitch Encounter could definitely be marketed by Disneyland Resort Paris as a full new attraction, and will bring yet another highlight to the incredible lineup for the resort’s 15th Anniversary. With Toon Studio getting its first luscious greenery and Walt Disney Television Studios rumoured to be finally getting something worth seeing, it looks like the Imagineers are well on their way to ticking off every box on their “How to Improve Walt Disney Studios” checklist…

Friday, 6th October 2006

New Disneyland park plan launches

It’s “radical” in Disneyland Resort Paris terms because, for the first time since the early years of the resort, it now comes in two sections – the entertainment listings being featured in a separate, grayscale “Entertainment Programme” leaflet. Following the styles of the US Disney resorts, this allows changes to be made to the programme much easier, as well as allowing the new Jiminy Cricket-branded pink park plan to be simplified and styled inside again more alike its American cousins.

On the cover, though, the identity of Disneyland Resort Paris is very clear. The “Believe in Your Dreams” font is used for the title, whilst the resort’s favoured sleek, modern typeface is used for the checklist and dates below. In the top-right corner, the language flag is still there, but now in a cut-out section using the graphics of the resort’s recent “Little Book of Big Dreams” brochures. The same cut-out is also used again inside the map, further tying this together with the resort’s external advertising and finally moving on from the previous “needmag?c era” designs. The Entertainment Programme features a very plain cover using the non-iconic Disneyland Park logo and a clock graphic usually reserved for Main Street USA designs.

It is currently unknown when or if the Walt Disney Studios park plan will follow a similar design, but trends in the past have shown that it will catch-up eventually.

The last redesign of the Disneyland Park park plan actually happened almost exactly one year ago, at the start of 2005’s Halloween Festival, again making the park guide smaller and more simplified. Earlier than this, in 2003/04, the park plan lost its conventional leaflet size to adopt a smaller, more “pocket-size” style. However, the biggest change to the park plan before tommorow’s latest introduction was back in 2002, when the “resort” concept was introduced with the opening of Walt Disney Studios Park and the plan lost its tradition of featuring a character photo on the cover in favour of simplified colour graphics and the park logo.

Below, you can see a “timeline” of park maps leading back in time to 2002, showing the changing dimensions and styles:

Thursday, 5th October 2006

5 Steps to transform a Studio, by WDI

Step 1: Characters

We reported on Monday that the Toon Studio construction fence is now home to some of Pixar’s finest creations, giving us a tantalising glimpse at the plethora of characters that await beyond. Earlier this year, of course, we already welcomed Mike, Sulley and the CDA to Animation Courtyard at a new character location next to Disney Studio 1, and The Incredibles have been outside Art of Disney Animation for quite some time. Disney park guests are incredibly keen on the characters these days, and Disney knows it. They add colour, life and guaranteed photo opportunities.

The expansion area of Toon Studio is confirmed to feature at least two character locations, shown on concept art as The Incredibles and Mickey Mouse, though this is subject to change. WDS Fans reported last week, however, that another meet ‘n’ greet opportunity will be available over at Cars Race Rally, with European automobiles Luigi and Guido outside their Radiator Springs store.
Step 2: Attractions

You know them by now – Crush’s Coaster and Cars Race Rally, a spinning indoor/outdoor coaster with dark ride scenes and a tea cups-style ride respectively. Whilst the effects of Crush’s towering Studio 5 have been felt for many months already, the lonely queue buildings of Cars Quatre Roues Rallye (the French name of the attraction, which will be the official in-park title) have now progressed quickly, already adding more features and varied architecture styles to the Studios (photo 2).

So far, they look similar to most concept art, with a circular central building and a long, thin, offshoot for the double-back queue. A large canopied building based on Flo’s V8 Café (the gas station in the movie) is also on plans, and should finally rid the Studios of its “warehouseland” critics. In the future “canyon” (photo 1), the foundations for the two pairs of turntables which make up the Cars ride have visibly progressed much further, with thick concrete walls and dividers lining the surprisingly deep pits.

The rockwork of Crush’s Coaster hasn’t noticeably progressed since our last report, however an arched curve of concrete has now been place above its future entrance doors (see paint tests photo below).
Step 3: Colour

It’s amazing what a little colour can do – it can set dark moods, create excitement or let you feel warmth with just the slightest change of tone. It’s the lifeblood of animation, and so it’s ironic that it’s the lack of colour currently adding more magic to the walls of Studio 5. The white basecoat has now covered the entire front of the building (photo 1) and much of the right side, turning the dull, murky concrete into a clean, crisp piece of Imagineering.

Of course, this is only for the time being – soon, the entire building will be a nice shade of sea blue. But which shade? That seems to be the question for the Imagineers right now, as you can see by the various paint tests on the walls next to the building’s entrance (photo 2). From this photo, the colours appear more vibrant than “true” sky blue yet lighter than a full blue – matching, perhaps, the shade of the Sorcerer’s Hat.
Step 4: Detail

“Detail” previously appeared to be some kind of profanity in the exterior design of Animation Courtyard (at least for those pulling the purse strings), yet now a healthy helping of this Disney delight is being spread right across the land. Take a look at the curbs bordering the Cars Race Rally area, for example – not a straight line in sight, entirely customised to the park and the attraction.

Some wavy curbs are a drop in the ocean compared to the rockwork of Crush’s Coaster, though, which juts up across the front of the attraction as if the Great Barrier Reef itself is about to explode out into Toon Studio. Now that the construction site has thankfully become much busier, the comparison of a worker to the size of the rockwork gives an incredible view of the true scale of this themeing project compared to the rest of the park. And, that we can already see such pleasant details as these with seven months still to go has to surely be a very good sign.
Step 5: Greenery

Without doubt the pièce de résistance of Kyoto’s latest photos is this excellent shot from on board Flying Carpets Over Agrabah. As you can see, the new “oasis” planting areas in front of the attraction have finally received tall, luscious palm trees, and the impact of these can be seen already. Now, the Flying Carpets are fully hidden away in this corner of the land, existing within their own tropical mini-land and providing something for guests to “discover” as they walk around the park.

It’s no more showbuilding-to-showbuilding – the curved paths (currently covered in protective wooden boards whilst construction work continues) and rounded planting areas will send guests in all directions, finally allowing them to “explore” in Walt Disney Studios Park.

So there you have it – 5 Steps to transform a Studio! And the best part? They’re all actually being followed, right now, in Paris. Excited about June 2007 yet?

Photos by Kyoto on Disney Magic Interactive forum. You can see more here.

Monday, 2nd October 2006

Getting a peek (or a peck?) at the toons

In a similar style to the Little Green Men of Buzz Lightyear Laser Blast’s walls, the deep blue expanse in Animation Courtyard has now been filled to bursting with characters, logos, visuals… even concept art! Beginning at Art of Disney Animation, the display first announces “Toon Studio : Ouverture Juin 2007” against a background of spotlights, confirming once and for all that the new name of the land will be “Toon Studio” rather than “Toon Studios”.

Next, Cars Race Rally takes centre stage, right in front of the attraction’s actual construction site. Either side of a new, brighter logo for the attraction are images of roads snaking off into the distance. The first features Lightning McQueen and Fillmore, the second Mater, Sally and Ramone.

After a sign pointing the way to Flying Carpets Over Agrabah, guests are next introduced to Crush’s Coaster, with the logo of the attraction on a large water splash underneath three seagulls perched on the fence (luckily without sound effects). The three sharks, Bruce, Anchor and Chum, follow next, and then a large version of the attraction’s key visual.

At both ends of the fence, the latest concept art to be released is featured, looking down from an aerial perspective to the new area of Toon Studio. Whilst appearing as nothing new for fans, this new supersize version does, at least, give us a better look at the Imagineer’s creation – as it was in the planning stages, at least.

Want to look beyond the fence again? Well, it seems work is progressing well on painting Studio 5 with white primer, whilst a small crane is now in use at the Cars Race Rally site as the Radiator Springs queue buildings progress further – unfortunately at an angle hard to photograph from Animation Courtyard.

Photos from Dlrp.fr

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